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The Great War, The Waste Land and the Modernist Long Poem explores how cultural responses to the trauma of the First World War found;
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A cornerstone of the Modernist movement, T.S. Eliot's The Waste Land suggests the fragmentation of civilization following World War I;
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contemporary work on Eliot and his poem, these essays illustrate the continued importance of The Waste Land in our understanding of the last century;
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fame and the Nobel Prize. But, as Jed Rasula writes, The Waste Land is not only a poem: it names an event, like a tornado or an earthquake;
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A guidebook to the allusions of T.S. Eliot's notorious poem, The Waste Land , Reading The Waste Land from the Bottom Up utilizes the;
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, Rainey unsettles tradition-bound views of the poem and shows us that The Waste Land is even stranger and more startling than we knew.;
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How do readers approach the enigmatic and unnavigable modernist long poem? Taking as the form's exemplars the highly influential but;
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Renowned as one of the world's greatest poems, The Waste Land has been said to describe the moral decay of a world after war and the search;
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In this Readers' Guide, Nick Selby brings together some of the most important critical writings about The Waste Land and provides a clear;
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T. S. Eliot's The Waste Land is often considered to be the most important poem written in English in the twentieth century. The poem;
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T. S. Eliot's The Waste Land is often considered to be the most important poem written in English in the twentieth century. The poem;
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, remaking the poem, and late modernism generally, as a critical instrument of dialectical reason. Part I reads The Waste Land alongside the;
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The Waste Land, first published in 1922, is not far from a century old, and it has still not been surpassed as the most famous of all;
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her long love poem Lifting Belly (1953), captures her experience of the everyday reality of war on the home front, within the domestic economy;
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Booth offers a complex portrait of the relation between British Great War culture and modernist writings. She notes that unlike civilians;
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sexualties. This book argues for the emergence of a Tiresian poetics at the end of the nineteenth century. As Victorian and modernist writers re;
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Eliot's The Waste Land, Joyce's The Portrait of the Artist and Lawrence's Women in Love alongside wider debates on Literature and War , Modernism;
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aims to explore and clarify the position of the so-called 'core' of literary modernism in its seminal engagement with the Great War;
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of Jacob's Room as one of the great modernist masterpieces, taking its place with Ulysses and The Waste Land in the iconic year of 1922. The;
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Here, G. Douglas Atkins offers a fresh new reading of the past century's most famous poem in English, T.S. Eliot's The Waste Land (1922;
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aims to explore and clarify the position of the so-called 'core' of literary modernism in its seminal engagement with the Great War;
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the texts and make their own interpretations, moving away from the question of what the poem says in favour of considering the effect of the;
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innovative modernist poet, William Carlos Williams. The book explores the material, historical and social contexts in which twentieth-century;
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Modernist debates about waste - both aesthetic and economic - often express biases against gender and sexual errancy. The Poetics of Waste;
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This work argues that although The Waste Land demands close reading, the spirit of the old New Criticism works with inappropriate;
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This study examines Hart Crane's canonical ambitions in The Bridge and argues for a new species of epic, 'the modernist epic,' which also;
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the modernist concern with the poem as a visual text to one that was chiefly oral in nature. The resulting change was disturbing, especially;
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