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The First English Actresses

Before the Restoration of Charles II there were no professional actresses on the English stage, and female roles had almost always been;

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African American Actresses

these actresses to highlight their contributions to cinema in the first half of the 20th century, taking an informed theoretical, historical;

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Rise Of The Diva On The Sixteenth-Century Commedia Dell'Arte

onwards in Italy. Tracing the historical progress of actresses from their earliest appearances as sideshow attractions to revered divas, Rosalind;

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Rival Queens

engaged with their audiences, celebrated actresses were among the first women to achieve social mobility, cultural authority, and financial;

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Paradoxe Sur Le Comedien

le comedien, an essay in dialogue form on the nature of acting and theatre which first appeared posthumously in 1830. The essay is presented;

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Dirty Bertie English King Made In France

had affairs with the most famous Parisian actresses, courtesans and can-can dancers. He spoke French more elegantly than English. He was the first;

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Shakespeare's Women and the Fin de Siecle

theatre, through the celebrity, commentary, and wider careers of the actresses who played them. By bringing together fin-de-siecle performances;

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A Biographical Dictionary of Actors, Actresses, Musicians, Dances, and Other Stage Personnel

Volume 8 dis cusses, among others, the careers of Charles Incledon, the English Ballad-Singer, boxing champion of England, Gentleman John;

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The Heibergs and the Theater

Luise Heiberg, was one of its greatest actresses. This first book-length study in English examines the many ways they dominated theatrical life;

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Acting like a Woman in Modern Japan

in Modern Japan traces the emergence of the first generation of modern actresses in Japan, a nation in which male actors had long dominated the;

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Acting like a Woman in Modern Japan

in Modern Japan traces the emergence of the first generation of modern actresses in Japan, a nation in which male actors had long dominated the;

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Stuart Women Playwrights, 1613-1713

, as playwrights, and later on as actresses and even as managers. This study examines English women writers' tragedies and tragicomedies in the;

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Beyond Spain's Borders

comedia and Italy's commedia dell'arte, but also the transformations across cultures of Spanish novellas to French plays and English interludes;

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Beyond Spain's Borders

comedia and Italy's commedia dell'arte, but also the transformations across cultures of Spanish novellas to French plays and English interludes;

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Cambridge Studies in Nineteenth-Century Literature and Culture

of the manifestations of the sculptural metaphor on the legitimate English stage, and its implications for the actress in the later nineteenth;

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Cambridge Studies in Nineteenth-Century Literature and Culture

of the manifestations of the sculptural metaphor on the legitimate English stage, and its implications for the actress in the later nineteenth;

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Cambridge Studies in Nineteenth-Century Literature and Culture

of the manifestations of the sculptural metaphor on the legitimate English stage, and its implications for the actress in the later nineteenth;

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Cambridge Studies in Nineteenth-Century Literature and Culture

of the manifestations of the sculptural metaphor on the legitimate English stage, and its implications for the actress in the later nineteenth;

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Thomas Betterton

all the best-known playwrights of his age and with the first generation of English actresses; he was intimately involved in the theatre's;

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Prostitutes, Hostesses, and Actresses at the Edge of the Japanese Empire

ethnocentric narratives that were at the heart of the Japanese empire. An appendix presents the first English translation of a memorable statement on;

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Prostitutes, Hostesses, and Actresses at the Edge of the Japanese Empire

were impacted, intervening ethnocentric narratives that were at the heart of the Japanese empire. An appendix presents the first English;

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The French Actress and her English Audience

reception of the French actress by the English audiences, from the early nineteenth century to the middle of the twentieth - a period when the;

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The French Actress and Her English Audience

reception of the French actress by the English audiences, from the early nineteenth century to the middle of the twentieth - a period when the;

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Leading Women

Presents a second anthology of richly diverse, challenging plays, scenes, and monologues for actresses of all levels of experience and;

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Treading the Bawds

Drawing on feminist cultural materialist theories and historiographies, 'Treading the bawds' analyses the collaboration between actresses;

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Audition Speeches Black South Asian & Mi

showcase material for actresses of black, African American, South Asian and Middle Eastern heritage. Featuring the work of international;

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Last Scene of All

The light-hearted and entertaining play concerns four elderly actresses passing their days in a Home for Retired Artistes. They bicker and;

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