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Ben Jonson, John Marston and Early Modern Drama: Satire and the Audience

This book examines the influence of John Marston, typically seen as a minor figure among early modern dramatists, on his colleague;

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The Drama of John Marston

of John Marston, reveal at every turn the full extent of his ambiguity towards politics, gender and the very medium he wrote for and in.;

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The Drama of John Marston

of John Marston, reveal at every turn the full extent of his ambiguity towards politics, gender and the very medium he wrote for and in.;

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John Marston of the Middle Temple

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Antonio's Revenge

breakdown of word use.. A number of these plays are being performed at the Globe Theatre and in rep as well as being set on a number of drama;

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The Insatiate Countesse

The Insatiate Countess is an early Jacobean era stage play, a tragedy first published in 1613. The play is generally attributed to Marston;

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Antonio and Mellida.] the History of Antonio and Mellida. the First Part. as It Hath Beene Sundry Times Acted, by the Children of Paules. Written by I. M. [I.E. J. Marston.

is provided as an additional tool in helping to insure edition identification: ++++ British Library Marston, John; M., I; 1602. 4 . C.131.c.16.;

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Plays & Poems; The Insatiate Countesse The Malcontent Satires

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The Patrician's Daughter. a Tragedy in Five Acts [And in Verse].

POETRY & DRAMA collection includes books from the British Library digitised by Microsoft. The books reflect the complex and changing role;

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The Insatiate Countesse. a Tragedie [In Five Acts, in Prose and in Verse].

BC.The POETRY & DRAMA collection includes books from the British Library digitised by Microsoft. The books reflect the complex and changing role;

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Jack Drum's Entertainment. 1601

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A Life's Ransom. a Play in Five Acts [And in Verse].

title. This data is provided as an additional tool in helping to insure edition identification: ++++ British Library Marston, John Westland;

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The Battle of Marston Moor

Fought a mere 6 miles from the center of York, Marston Moor was the largest and bloodiest battle of the English Civil War. On July 2, 1644;

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Antonio and Mellida & Antonio's Revenge

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Antonio and Mellida & Antonio's Revenge

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Shakespeare and the Drama of His Time

worked during an extraordinary quarter-century in the history of English drama, which saw the development of new kinds of tragedy and comedy, and;

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The Critical Fall and Rise of John Marston

. John Marston, the most infamous of the late 16th and early 17th-century English satirists and dramatists, achieved both fame and notoriety, and;

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Dance Lexicon in Shakespeare and His Contemporaries

but also the Bard's contemporaries (e.g., dramatists as John Marston and Ben Jonson among the most refined Renaissance dance aficionados), the;

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Re-imagining Western European Geography in English Renaissance Drama

Matei-Chesnoiu examines the changing understanding of world geography in sixteenth-century England and the concomitant involvement of the;

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Jacobean Drama (Routledge Revivals): An Interpretation

First published in 1936, The Jacobean Drama is a brilliant interpretation of the drama written between the last years of Elizabeth I and;

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Jacobean Drama (Routledge Revivals): An Interpretation

First published in 1936, The Jacobean Drama is a brilliant interpretation of the drama written between the last years of Elizabeth I and;

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Our Recent Actors

Love of the theatre began at an early age for John Westland Marston (1819-90), and developed into his life's work as a playwright, critic;

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Strangeness in Jacobean Drama

Callan Davies presents strangeness as a fresh critical paradigm for understanding the construction and performance of Jacobean drama-one;

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Strangeness in Jacobean Drama

Callan Davies presents strangeness as a fresh critical paradigm for understanding the construction and performance of Jacobean drama-one;

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The Performance of Pleasure in English Renaissance Drama

Offering new and theatrically informed readings of plays by a broad range of Renaissance dramatists - including Marlowe, Jonson, Marston;

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The Performance of Pleasure in English Renaissance Drama

Offering new and theatrically informed readings of plays by a broad range of Renaissance dramatists - including Marlowe, Jonson, Marston;

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Listening for Theatrical Form in Early Modern England

slicing into listeners' bodies on and off the stage; while comedies by Ben Jonson and John Marston imagine it being sampled selectively and;

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