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The Carnivalesque Defunto

The Carnivalesque Defunto explores the representations of death and the dead in Brazil's collective and literary imagination. The recurring;

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Shakespeare and Carnival

This collection of essays is the first to reassess a range of Shakespeare's plays in relation to carnivalesque theory. Contributors re;

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Securitising Monstrous Bottoms in the Age of Posthuman Carnivalesque?

The book critically examines the security implications of theorising human bodies as ecologies for nonhuman entities.;

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Chinese New Media Cultures in Transition

Chinese New Media Cultures in Transition: Weibo and the Carnivalesque is an important contribution to international scholarship on Chinese;

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Between Two Stools

Between two stools investigates the representation of scatology - humorous, carnivalesque, satirical, damning and otherwise - in English;

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Between Two Stools

Now available in paperback, Between two stools investigates the representation of scatology - humorous, carnivalesque, satirical, damning;

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Politics and History in William Golding

of language and literature. In Golding's later fiction, like Darkness Visible , the fantastic and carnivalesque are used in an increasingly;

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Modernist Disguise

This book highlights that masquerade can be regarded as a distinct genre of performance activity that employs elements of the carnivalesque;

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The Gothic and the Carnivalesque in American Culture

The Gothic and the Carnivalesque in American Culture offers a new account of the American Gothic. Gothic studies, the field that explores;

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Nascar, Sturgis, And The New Economy Of Spectacle

In this provocative and original monograph, Krier and Swart argue that NASCAR and the carnivalesque displays at Sturgis's mass motorcycle;

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Esther

application of this approach to the reading of Esther as theological carnivalesque. Bakhtin viewed the carnival (or the carnivalesque genre) as a;

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Carnival Art, Culture and Politics

carnivalesque as not just celebratory moments or even as critical subtext, but also as insightful performatives of social life anywhere, given the;

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Modernist Disguise

This book highlights that masquerade can be regarded as a distinct genre of performance activity that employs elements of the carnivalesque;

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Bartholomew Fair

Of all of Jonson's plays, Bartholomew Fair with its focus on the conflict between a carnivalesque enjoyment of the flesh and society's;

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Cockroach

, he brings us back to his childhood in a war-torn country, forward into his current life in the smoky emigre cafes where everyone has a tale;

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The Comic Imagination in Modern African Literature and Cinema

, characterization, and plot by a poetics of laughter or lightness as an important aspect of style. The poetics at work is substantially carnivalesque, a;

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The Comic Imagination in Modern African Literature and Cinema

, characterization, and plot by a poetics of laughter or lightness as an important aspect of style. The poetics at work is substantially carnivalesque, a;

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The Poetry of Dylan Thomas

work may be read in terms of contemporary critical concerns, using theories of modernism, the body, gender, the carnivalesque, language;

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Masquerade Politics

become a fiercely contested cultural event. Cohen contrasts the development of the London carnival with the development of other carnivalesque;

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Subversive Pleasures

Subversive Pleasures offers the first extended application of Mikhail Bakhtin's critical methods to film, mass-media, and cultural studies;

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Tourism and Gender

around the globe. The tourism industry can be a force for empowerment but it can also shore up exploitative gendered practices. At the same time;

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Isabelle Eberhardt and North Africa

transgressing many of its instructions, Isabelle Eberhardt seems to fit within Mikhail Bakhtin's definition of the carnivalesque as the impulse to blend;

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Reading Esther

Craig, Esther has been undervalued and misunderstood because its true genre, the literary carnivalesque, has not been considered. The;

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Mikhail Bakhtin

, dialogism, heteroglossia and the novel, the chronotope, and the carnivalesque. True to their dialogic spirit, these ideas are presented not as a;

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Mikhail Bakhtin

, dialogism, heteroglossia and the novel, the chronotope, and the carnivalesque. True to their dialogic spirit, these ideas are presented not as a;

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Latino U.S.A.

Latino USA represents the culmination of Ilan Stavans' lifelong determination to meet the challenges of capturing the joys, nuances, and;

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Ted Hughes

postmodernism and the carnivalesque, while the second part uses literary theories including postcolonialism, ecocriticism and trauma theory to interpret;

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