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comprehensive analysis of issues related to copyright in street art and graffiti. Chapter authors shed light not only on the legal tools available;
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A visual account of the birth of graffiti and street art, showcasing as-yet-unseen works collected by preeminent artist Martin Wong;
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Until recently, art made in the street and art made within the institution had mutually excluded each other. Graffiti writers have mastered;
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regarding the treatment of these images. Throughout, the focus is on the relationship of graffiti and street art with urban space, and the various;
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First published in 2001, Art and Copyright has established itself as a leading text in the field. Revised and updated, this third edition;
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styles, past and present, which make UK street art great. Upon its arrival in the UK from New York in the 1980s, graffiti rapidly spread across;
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The "blackbook" is the most coveted and guarded part of a graffiti writer's arsenal. The foreunner to this great new book, Stylefile;
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While copyright law is ordinarily thought to consist primarily of exclusive rights, the regime's various exemptions and immunities from;
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of East Asian cities through their graffiti, street art and other visual forms in public space. Attempting to unfold the complex positions;
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of creative psychology to explore the aesthetic dimensions of resistance that can be found in graffiti, art, music, poetry and other creative cultural;
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The verve of the South Florida graffiti art scene from the 1980s to present is captured in this landmark book. It offers unparalleled;
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Street art has literally taken over the world in recent years: London, Tokyo, Paris, New York, LA, Berlin, Rome and many other cities have;
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Finsta is one of the most eyecatching illustrators and designers out of the European graffiti scene. For the past ten years his work;
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relatively inattentive to the manifold political mediations of graffiti, muralism, street performance and other street art forms. Against this;
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relatively inattentive to the manifold political mediations of graffiti, muralism, street performance and other street art forms. Against this;
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renowned street art scene. Only somebody on the inside would be able to track down the leading figures from the early 80s and Felix was at the very;
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im Zuge der Arbeit die Begriffe der Street Art(Graffiti) verwendet. So wurde beispielsweise, ins besonders im Verlauf des Arabischen;
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essential and relevant issues of this relatively recent phenomenon. Over the past few years, two themes have emerged: on the one hand, copyright;
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A dialogue between graffiti and the art market, Cash, Cans & Candy displays works by over 40 international artists, from guerilla pioneers;
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investigates practical perspectives on the topic, with a focus on attribution, anonymity and pseudonymity, plagiarism and forgery, copyright and;
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investigates practical perspectives on the topic, with a focus on attribution, anonymity and pseudonymity, plagiarism and forgery, copyright and;
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purpose of this fascinating edited collection by Enrico Bonadio and Nicola Lucchi on non-conventional copyright, exploring from various angles the;
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foundation for future research. Students and scholars of copyright law, authorship, art, and the book and music trades will find this book to be;
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foundation for future research. Students and scholars of copyright law, authorship, art, and the book and music trades will find this book to be;
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The Art of Defiance is an ethnographic portrait of how graffiti writers see their city and, in turn, how their city sees them. It explores;
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