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The American Roadside in Emigre Literature, Film, and Photography: 1955-1985 traces the origin of a postmodern iconography of mobile;
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The American Roadside in Emigre Literature, Film, and Photography: 1955-1985 traces the origin of a postmodern iconography of mobile;
Vergelijkbare producten zoals The American Roadside in Emigre Literature, Film, and Photography
Literature and Photography in Transition, 1850-1915 examines how British and American writers used early photography and film as;
Vergelijkbare producten zoals Literature and Photography in Transition, 1850-1915
This book looks at the role of 'ethnicity' in American literature and what that literature has said - and continues to say - about the;
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the end of the 20th century. The areas covered are fine arts (painting, sculpture, photography); performing arts (music, ballet, theatre, film;
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into film, theatre, and literary policies, institutions and theories. The contributors present recent scholarship on historical and cultural;
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into film, theatre, and literary policies, institutions and theories. The contributors present recent scholarship on historical and cultural;
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The eight essays in Image Technologies in Canadian Literature reveal the ongoing importance of film and photography in the production;
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), Picnic (1955), Rebel without a Cause (1955), The Sure Thing (1985), Dirty Dancing (1994), Titanic (1997)-and the ways in which youth discovers;
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States and American concepts of nationhood through the symbolism of blood and death studies. Film studies students and academics, both;
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, photography, film and music on the subject of Death and Philosophy , The Body of Death , and Death and Testimony .;
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Contemporary connections between German directors and Hollywood and their implications for German, American, and transnational film. The;
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of investigation in the past decade. This field brings together artists working in different media (e.g. documentary photography and film, photo-based;
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reality effects of photography, film, and television inspired American writers to create new literary forms that would enhance their readers;
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This title presents roadside Americana, fantasy, kitsch and joy on the American roadside. Before the advent of corporate communications and;
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Film stills are a blind spot in the history of twentieth century photography. Largely collected and appreciated simply for their;
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, art and photography, film, and literature *Introduces theoretical ideas from Bakhtin, Benjamin, Foucault, Deleuze and Guattari *Looks at the;
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works of Marina Tsvetaeva (in 1966 and 1985), The Sexual Labyrinth of Nikolai Gogol (1976), Russian Drama from Its Beginnings to the Age;
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In this book, originally published in 1985, British and North American geographers present original and challenging viewpoints on the media;
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US and European film has impacted Latin American literature and film culture. Serrano argues that the Gothic has provided Latin American;
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ecofeminism. Contributors consider the various disciplines that have shaped the field, including African American, American Indian, Canadian, and;
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of more than 20 years. It covers the old masters ofAmerican photography from Ansel Adams to Minor White and the young kids from the;
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such areas as film adaptations, remakes, ekphrasis, photography and the novel, feminist rewritings, acts of iconoclasm in postcolonial drama;
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in-depth analysis of works in several media, including performance, photography, Punk film, and examples from mainstream American and European;
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Photography in Focus is a comprehensive photography textbook dealing with basic camera functions, lighting, film development, and;
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gained local, national and global iconicity, the book investigates the role of photography, fine art, architecture, literature and film;
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