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generates distinct points of separation, it also highlights continuities between the ruptures. Outlining the richness of German film, The A to Z;
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subject has only deepened the obscurity surrounding the popular cinema. German Cinema performs a kind of archaeology on a period largely;
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The BFI Companion to German Cinema is a concise and authoritative source of reference. Over two hundred entries on film actors;
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, Mario Bava, Dario Argento, and Lina Wertmuller, the first woman to ever be nominated for the Best Director award. The A to Z of Italian Cinema;
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having apparently announced the horrors of fascism, while testifying to the traumas of a defeated nation, still casts a long shadow over cinema;
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, and films such as Abre los ojos and Alatriste to build upon, the outlook for Spanish Cinema appears brighter than ever. The A to Z of Spanish;
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Since the late 1990s, German cinema has gone through a period of astonishing productivity and success that has made it the focus;
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West German cinema of the 1960s is frequently associated with the emergence of a new generation of filmmakers, collectively known by the;
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, and children's films, among others. This book equips scholars with the historical background to understand East German cinema and guides the;
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German National Cinema is the first comprehensive history of German film from its origins to the present. In this new edition, Sabine Hake;
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German National Cinema is the first comprehensive history of German film from its origins to the present. In this new edition, Sabine Hake;
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and 1940s, on links between Weimar film and American film noir, and on the conflictedrelationship between directors of the New German Cinema;
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German cinema. Not only was this unconventional love story the first German film in eighteen years to win the prestigious award, but the success;
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the role of music, a curious oversight given its importance to German culture and nation formation. Caryl Flinns study reverses this trend;
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Since the fall of the Berlin Wall, there has been a proliferation of German historical films. These productions have earned prestigious;
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Is a common European Holocaust memory possible? The author approaches this question by analyzing Polish and German cinema after 1989, and;
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, the revolutionary avant-garde in the 1920s, the Thaw in the 1950s, and the awakening of national cinemas in the 1960s and 1970s. The A to Z;
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aware of their role as educators, entertainers, social activists, and political leaders. The A to Z of Polish Cinema fills the gap in film;
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Heide Fehrenbach analyzes the important role cinema played in the reconstruction of German cultural and political identity between 1945 and;
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Deneuve, Gerard Depardieu, and Audrey Tautou. The A to Z of French Cinema covers the history of French film from the silent era to the present;
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This is an A-Z of the key critical terms in film studies, and aims to make film texts and analysis more accessible to the student. The;
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-known traditions such as German expressionism, Italian neorealism, French, British, and Czech new wave, and new Hollywood cinema to those;
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avant-garde. InLandscapes of Resistance, Barton Byg fills a significant gap in modern German and European cinema studies by tracing the career;
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ever since, CineGraph is the most authoritative and comprehensive encyclopedia on German-speaking cinema in the German language. This condensed;
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, and the New German Cinema to the forefront and led to the development of auteur theory. He then discusses the mechanics of art cinema, from;
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of universalized victimhood, a cinema of commemoration has, if anything, confirmed the violence that the past continues to exert on the present, in the;
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of universalized victimhood, a cinema of commemoration has, if anything, confirmed the violence that the past continues to exert on the present, in the;
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