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Supernatural Beings from Japanese Noh Plays of the Fifth Group

, demons, and fiends. The fifth-group Noh with such shite are all supernatural or visional. None of them is totally realistic. These ghosts;

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Supernatural Beings from Japanese Noh Plays of the Fifth Group

, demons, and fiends. The fifth-group Noh with such shite are all supernatural or visional. None of them is totally realistic. These ghosts;

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China Reinterpreted

China Reinterpreted is the first comprehensive study on the representation of Chinese figures and motifs in Muromachi Japanese noh theater;

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The Noh Plays of Japan

appreciation of the Noh as a highly significant dramatic form. Noh plays live on as a magnificent artistic heritage handed down from the high;

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Dancing the Dharma

Dancing the Dharma examines the theory and practice of allegory by exploring a select group of medieval Japanese noh plays and treatises;

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Japanese Noh Plays

First published in 2005. Routledge is an imprint of Taylor & Francis, an informa company.;...

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The Noh Ominameshi

Thornhill, to interpret the noh Ominameshi, all from the vantage point of their own analytical approaches. The intent is to provide the reader with;

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Dramatic Representations of Filial Piety

This volume of five noh translations (containing an introduction, translations, short commentaries and a glossary) differs from most others;

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Theatricalities of Power

conventions nor abstracting its style and poetics from its performativity, the book reads noh differently, opening the performance text to its;

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Noh Drama and "The Tale of the Genji" - The Art of Allusion in Fifteen Classical Plays

The Japanese noh theater has enjoyed a rich, continuous history dating back to the Muromachi period (1336-1573), when virtually the entire;

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Noh Drama and The Tale of the Genji

The Japanese noh theater has enjoyed a rich, continuous history dating back to the Muromachi period (1336-1573), when virtually the entire;

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Noh Plays of Japan

Part prose, part verse, the visually stunning No plays of Japan deal with such subjects as insanity, obsession and historical characters;

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The Plays of W.B. Yeats

in his fascination with the biblical dancer Salome and in his preoccupation with things Japanese, particularly 'Noh' Theatre with its central;

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Learning to Kneel

, learning, and performance. Throughout the twentieth century, Japanese noh was a major creative catalyst for American and European writers, dancers;

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Learning to Kneel

, learning, and performance. Throughout the twentieth century, Japanese noh was a major creative catalyst for American and European writers, dancers;

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Dramatic Action in Greek Tragedy and Noh

realistic Japanese noh. First, it looks at the relationship of Aristotle's definition of tragedy to the tragedies he favored. Next, his definition;

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Dramatic Action in Greek Tragedy and Noh

realistic Japanese noh. First, it looks at the relationship of Aristotle's definition of tragedy to the tragedies he favored. Next, his definition;

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Five Modern Noh Plays

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Gender, Supernatural Beings, and the Liminality of Death

supernatural from a broad range of international contexts. The contributors show that, as creatures pass through the liminal space of death, their new;

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Visioning Eternity

, once-in-a-generation noh performance-the largest performance ever held. This is the first Western language book on Edo period noh and its use;

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Selected Plays of Padraic Colum

of his dramatic art: The Land (1905); Betrayal (1912); and two of his five Noh plays (a five-play cycle containing poetry and prose following the;

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Shakespeare and the Japanese Stage

In this book, originally published in 1999, leading Shakespeare scholars from Japan and the West broke new ground by studying the;

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Shakespeare and the Japanese Stage

In this book, originally published in 1999, leading Shakespeare scholars from Japan and the West broke new ground by studying the;

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Six Circles, One Dewdrop

Noh drama has long fascinated Westerners by its poetic excellence and its dramatic power. To the student of medieval Japanese culture;

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Place and Dream

of state, or Kimura Bin's notion of in-between (aida) that is so closely associated with the virtual space of Noh plays: what all these conceptions;

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The Traditional Theater of Japan

associations, moves on to Gagaku and Bugaku (court music and dance), and then to Sarugaku and other prototypes of Noh. Due attention is given the;

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Half a Century of Japanese Theater v. 5; 1970s

This fifth volume, Japanese Theater of the 1970s, treats six plays. Crime is the dominant subject. Three plays are about homicide, two are;

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