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Studies in the Chinese drama

Studies in the Chinese drama This book, "Studies in the Chinese drama," by Kate Buss, is a replication of a book originally published;

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Lao She's Teahouse and Its Two English Translations

in-depth application of Systemic Functional Linguistics (SFL) to the study of Chinese drama translation, and theoretically explores the interface;

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Lao She's Teahouse and Its Two English Translations

in-depth application of Systemic Functional Linguistics (SFL) to the study of Chinese drama translation, and theoretically explores the interface;

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Chinese Adaptations of Brecht

offers an interdisciplinary study that contributes to the fields of comparative drama/theatre studies, intercultural studies, and performance;

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Chinese Adaptations of Brecht: Appropriation and Intertextuality

offers an interdisciplinary study that contributes to the fields of comparative drama/theatre studies, intercultural studies, and performance;

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Chinese Drama and Society

This book traces the entrance of Western stage drama into China and the initial reception it received from Chinese intellectuals. Form the;

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Princeton/Cambridge Studies in Chinese Linguistics

A study and translation of Tou O Yuan, a traditional Chinese drama by Kuan Hanch'ing, the leading playwright of the Yuan period (1279-1368;

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The Lute

Although the first European rendering of a Chinese play occurred in 1735, translation of Chinese drama into Western languages has remained;

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The Columbia Anthology of Modern Chinese Drama

by a critical introduction to the historical, cultural, and aesthetic evolution of twentieth-century Chinese spoken drama. Primarily;

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Twenty-First-Century Chinese Drama

in English translation. Since the 1990s, modern Chinese drama has experienced a revival, and these plays are representative of the kind of theatre;

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How to Read Chinese Drama

This book is a comprehensive and inviting introduction to the literary forms and cultural significance of Chinese drama as both text and;

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How to Read Chinese Drama

This book is a comprehensive and inviting introduction to the literary forms and cultural significance of Chinese drama as both text and;

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Performing Hybridity in Colonial-Modern China

as wenmingxi (civilized drama), this form has, until recently, largely been ignored by scholars in China and the West as it does not fit into;

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The Columbia Anthology of Modern Chinese Drama

of Modern Chinese Drama, along with her critical introduction to the historical, cultural, and aesthetic evolution of twentieth-century Chinese;

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The Columbia Anthology of Modern Chinese Drama

of Modern Chinese Drama, along with her critical introduction to the historical, cultural, and aesthetic evolution of twentieth-century Chinese;

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Women in Traditional Chinese Theater

scholars and general enthusiasts of theatre, literature, and women's studies, this book reveals how the cultural constructs of Chinese women are;

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The Chinese Drama

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Television in Post-Reform China

television drama particularly with the ascendance of the Chinese New Left that favors a recentralization of state authority and an alternative path;

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Television in Post-Reform China

television drama particularly with the ascendance of the Chinese New Left that favors a recentralization of state authority and an alternative path;

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Television Drama in Contemporary China

Due to high audience numbers and the significant influence upon the opinions and values of viewers, the political leadership in China;

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Television Drama in Contemporary China

Due to high audience numbers and the significant influence upon the opinions and values of viewers, the political leadership in China;

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The Routledge Handbook of Chinese Studies

values and tenets for the subject, in relation to the further development of Chinese Studies as an academic discipline. It aims to consolidate;

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Chinese Opera

door onto the wealth of Chinese traditional drama in a way that will interest drama aficionados, admirers of theatrical photography, students;

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Expressionism and Its Deformation in Contemporary Chinese Theatre

a critical phase in the modernization of Chinese drama during the post-Maoist era. Six leading Chinese dramatists (Gao Xingjian, Lin Zhaohua;

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