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South African Cinema 1896-2010

sociopolitical context the aesthetic highlights of South African cinema from 1896 to the present. Thoroughly researched and fully documented by renowned;

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To Change Reels

With the end of apartheid, South African cinema is at a turning point in its history. This collection offers an exploration of a film;

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Andrew Levy's guide to South African labour law

Every business needs to be aware of the complexities of South African labour law - whether they employ one person or 1 000 people they are;

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Africa United

Africa United: The Road to Twenty Ten is the ultimate preparation for the 2010 World Cup in South Africa. Here, African journalists;

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Development and Dreams

Development and Dreams: The Urban Legacy of the 2010 Football World Cup considers the effects of South Africa's hosting the 2010 FIFA World;

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National Character in South African English Children's Literature

in placing children's literature in the context of adult South African literature and South African cultural history (e.g. cinema). He also makes;

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National Character in South African English Children's Literature

in placing children's literature in the context of adult South African literature and South African cultural history (e.g. cinema). He also makes;

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Slave Cinema

"Using a rich compendium of evidence SLAVE CINEMA takes a thorough and uncompromising look at African-American cinema, African-America;

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African Football, Identity Politics and Global Media Narratives

narratives. Using the 2010 FIFA World Cup in South Africa as a lens, it explores how football in Africa is intimately bound up with deeper social;

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South Africa's Renegade Reels

public lives of South African movies oriented around black social experiences. This illuminates the complex nature of cinema in modern public;

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Ethics and Aesthetics in Contemporary African Cinema

Since the beginnings of African cinema, the realm of beauty on screen has been treated with suspicion by directors and critics alike. James;

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The Mail & Guardian A-Z of South African Politics

reporters has compiled an authoritative reference for understanding the often turbulent world of South African public discourse.;

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Directory Of World Cinema: South Korea

Concurrent with the growing body of scholarship on South Korean cinema, Directory of World Cinema: South Korea offers an accessible;

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South African Performance and Archives of Memory

disavowed memories. Hutchison then considers how the SA-Mali Timbuktu Manuscript Project and the 2010 South African World Cup opening ceremony;

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South African Performance and Archives of Memory

disavowed memories. Hutchison then considers how the SA-Mali Timbuktu Manuscript Project and the 2010 South African World Cup opening ceremony;

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Critical Approaches to African Cinema Discourse

Critical Approaches to African Cinema Discourse utilizes an interdisciplinary approach to lay bare the diversity and essence of African;

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The Deeper Christian Life

Rev. Andrew Murray (1828-1917) was a South African writer, educationist and Christian pastor. Andrew was sent to Aberdeen in Scotland for;

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The School of Obedience (Dodo Press

Rev. Andrew Murray (1828-1917) was a South African writer, educationist and Christian pastor. Andrew was sent to Aberdeen in Scotland for;

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New South African Review 2010

Reviving the tradition of critical, analytical scholarship developed by the 1970s and 1980s editions of the South African review, this;

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Contemporary Korean Cinema

in both North and South Korea. Covers the introduction of motion pictures in 1903, Korean cinema during the Japanese colonial period (1910-45) and;

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The Cinema and Cinema-Going in Scotland, 1896-1950

What did our Scottish grandparents and great grandparents see at the cinema? What thrilled them on the silver screen? This is the first;

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Just for Kicks!

African society, this unique chronicle covers all of 2010's notable occurrences.;

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Schonland

relationships between Britain and South Africa. The author has drawn on a profusion of primary and secondary source material, from both South African;

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Instructional Cinema and African Audiences in Colonial Kenya, 1926-1963

In Instructional Cinema and African Audiences in Colonial Kenya, 1926-1963, the author argues against the colonial logic instigating that;

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