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Solo Performances: Staging the Early Modern Self in England

In this volume an international cast of scholars explores conceptions of the self in the literature and culture of the Early Modern England;

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The Senses in Early Modern England, 1558-1660

Considering a wide range of early modern texts, performances and artworks, the essays in this collection demonstrate how attention to the;

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Performing Disability in Early Modern English Drama

Performing Disability in Early Modern English Drama investigates the cultural work done by early modern theatrical performances;

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Staging the Revolution

Staging the revolution offers a reappraisal of the weight and volume of theatrical output during the commonwealth and early Restoration;

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Staging the Revolution

Staging the revolution offers a reappraisal of the weight and volume of theatrical output during the commonwealth and early Restoration;

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Anamorphosis in Early Modern Literature

Anamorphosis in Early Modern Literature explores the prevalence of anamorphic perspective in the seventeenth and eighteenth centuries;

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Anamorphosis in Early Modern Literature

Anamorphosis in Early Modern Literature explores the prevalence of anamorphic perspective in the seventeenth and eighteenth centuries;

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'the Winter's Tale' in Performance in England and America 1611-1976

in performance that a play is fully realised. Recapturing in lively detail the major performances of The Winter's Tale from Jacobean England to the;

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Passionate Playgoing in Early Modern England

and appreciate the key role theatregoers played in the life of early modern drama. How were spectators moved - by delight, fear or shame, for;

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Passionate Playgoing in Early Modern England

and appreciate the key role theatregoers played in the life of early modern drama. How were spectators moved - by delight, fear or shame, for;

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In the Beginning Recorded In 1966, Solo & Band Performances. Re-Issue RECORDED IN 1966, SOLO & BAND PERFORMANCES. RE-ISSUE. TOWNES VAN ZANDT, CD

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Staging Favorites

Favori, ou la Coquette; and Sejanus His Fall - and adds new detail and differentiation to the early modern perception and representation of the;

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Staging Britain's Past

Staging Britain's Past is the first study of the early modern performance of Britain's pre-Roman history. The mythic history of the;

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Masks and Masking in Medieval and Early Tudor England

culture masking was. It has obvious interest for drama and literature critics of the medieval and early modern periods; but is also useful for;

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Just For Gordon Incl. Bbc Solo Performances INCL. BBC SOLO PERFORMANCES. Duncan, Gordon, CD

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Genre and Women's Life Writing in Early Modern England

contributors explore how generic choice, mixture, and revision influence narrative constructions of the female self in early modern England;

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Julius Caesar on Stage in England and America, 1599-1973

about the taste and sensibility of an age from cuts, alterations, additions and redistribution of parts. He explains in detail the staging;

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Staging A Musical

In Staging a Musical, Matthew White describes all the elements involved in putting on a musical production, including: how to choose the;

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Staging Favorites

Staging Favorites explores theatrical representations of royal favorites in Spanish, French, and English dramatic production during the;

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Staging Science

This book considers scientific performances across two centuries, from the early nineteenth century to the present day. Performances;

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Othello

, maps, ballads, royal proclamations, early modern descriptions of Africa and the Middle East, nineteenth-century scripts for performances;

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Free Will

between two absolutisms of early modern England: the aesthetic and the political. Starting from the dramatist's cringing relations with his;

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Free Will

between two absolutisms of early modern England: the aesthetic and the political. Starting from the dramatist's cringing relations with his;

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Staging Romantic Chameleons and Imposters

of chameleonic identities in late eighteenth- and early nineteenth-century England. During this period, chameleonism evoked both anxieties about;

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Writing, Gender and State in Early Modern England

and control. Each centres on the work of an early modern woman writer in the act of self-definition and authorization, in relation to external;

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Writing, Gender and State in Early Modern England

and control. Each centres on the work of an early modern woman writer in the act of self-definition and authorization, in relation to external;

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The Second Birth of Theatre

This book presents a new approach to early English theatre by exposing a genuine relationship between monastic performances and;

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