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Shakespearean Representation - Mimesis and Modernity in Elizabethan Tragedy

attention toward several older poets and examines Shakespeare in particular to show how literary modernity depends, not on chronological;

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Shakespearean Representation - Mimesis and Modernity in Elizabethan Tragedy

attention toward several older poets and examines Shakespeare in particular to show how literary modernity depends, not on chronological;

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Mimesis and the Representation of Experience

narrative possibilities of drama. Paying attention to pre-Shakespearean comedies written in English between 1560 and 1590, the author explores how;

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English Tragedy Before Shakespeare

-Shakespearean tragedy. The work offers positive standards by which to assess the development of pre-Shakespearean drama and, by tracing certain;

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English Tragedy Before Shakespeare

-Shakespearean tragedy. The work offers positive standards by which to assess the development of pre-Shakespearean drama and, by tracing certain;

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Shakespearean Tragedy and Its Double

Why does Shakespearean tragedy continue to move spectators even though Elizabethan philosophical assumptions have faded from belief;

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Tragedies from the Seams of Modernity

This book is an invitation to embed Elizabethan and Jacobean Tragedy in its historical context: a time of change. Dwelling on Raymond;

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Shakespearean Representation

his attention toward several older poets and examines Shakespeare in particular to show how literary modernity depends, not on chronological;

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The Cambridge Companion To Shakespearean Tragedy

The Cambridge Companion to Shakespearean Tragedy acquaints the student reader with the forms, contexts, critical and theatrical lives;

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Shakespearean Tragedy

of Shakespearean tragedy. The selection of critical reaction covers both the general concept of Shakespearean tragedy and its expression in the major plays;

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The Purpose of Playing

Part of a larger project to examine the Elizabethan politics of representation, this work refigures the social and cultural context within;

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Trauma and Its Representations

, life. Most often, mimesis has been critiqued as a simple attempt to bridge the distance between reality and its representations. In this work;

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Theories of Mimesis

Mimesis, with its connecting concepts of imitation, simile, and similarity, has been cited since classical times in the exploration of the;

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Shakespeare's Comic Rites

uniquely Shakespearean, Elizabethan and universal.;

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Shakespearean Tragedy

A.C.Bradley's Shakespearean Tragedy, first published in 1904, ranks as one of the greatest works of Shakespearean criticism of all time;

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Shakespearean Tragedy

A.C.Bradley's Shakespearean Tragedy, first published in 1904, ranks as one of the greatest works of Shakespearean criticism of all time;

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Shakespearean Tragedy

A.C.Bradley's Shakespearean Tragedy, first published in 1904, ranks as one of the greatest works of Shakespearean criticism of all time;

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Themes and Conventions of Elizabethan Tragedy

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Symbolism v. 6

representation and mimesis. The seven essays consider such aspects as encoded representations in modern drama and fiction, representation and composition;

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Early Elizabethan Tragedies of the Inns of Court

of Court have long been recognized as seminal in the development of Elizabethan tragedy, and include the earliest formal dramatic tragedy;

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Early Elizabethan Tragedies of the Inns of Court

of Court have long been recognized as seminal in the development of Elizabethan tragedy, and include the earliest formal dramatic tragedy;

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Seneca and Elizabethan Tragedy

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The Cambridge Introduction to Shakespeare's Tragedies

moments have anything to tell us about the definition of Shakespearean tragedy? Is it in fact helpful to talk about 'Shakespearean tragedy' as a;

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Shakespearean Tragedy

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Shakespearean Entrances

Shakespearean Entrances offer a systematic study of entrances and exits on the Shakespearean stage. Elizabethan playwrights and players not;

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Shakespeare's History: Mirrors of Elizabethan Policy.

argument of this book is that the historical play must be studied as a genre separate from tragedy and comedy. Just as there is in Shakespearean;

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The villain as hero in Elizabethan tragedy

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