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Shakespeare in the Theatre: Cheek by Jowl

Cheek by Jowl, founded by Declan Donnellan and Nick Ormerod in 1981, is one of the world's most critically acclaimed classical theatre;

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Shakespeare in the Theatre Cheek by Jowl

Cheek by Jowl, founded by Declan Donnellan and Nick Ormerod in 1981, is one of the world's most critically acclaimed classical theatre;

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English Shakespeares

by several English companies, including the Royal Shakespeare Company, the National Theatre, Cheek by Jowl, Northern Broadsides and the;

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Shakespeare and the 'Live' Theatre Broadcast Experience

, Kenneth Branagh Theatre Company Live, and Cheek by Jowl, and examines the impact these broadcasts have had on branding, ideology, style and access;

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As You Like It Shakespeare in Performance

and by Cheek by Jowl in 1992, and the versions directed by Jacques Copeau in Paris in 1934, and by Peter Stein in Berlin in 1977. It also;

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As You Like It

and by Cheek by Jowl in 1992, and the versions directed by Jacques Copeau in Paris in 1934, and by Peter Stein in Berlin in 1977. It also;

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Beautiful Thing (The Play)

Beautiful Thing explores pre-teenage homo-erotic sensuality and the frictions and intimacies of living cheek by jowl on a Thamesmead;

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Cheek by Jowl

, and the validity of the fantasy genre at any age.;

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Cheek By Jowl

and up to today's modern, virtual world. Cheek by Jowl is social history at its most colourful and compelling and puts the people back in the;

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Shakespeare Festivals Around the World

"Shakespeare Festivals Around the World," edited by recognised Shakespeare scholar Marcus D. Gregio, explores the everlasting nature;

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Shakespeare Festivals Around the World

"Shakespeare Festivals Around the World," edited by recognised Shakespeare scholar Marcus D. Gregio, explores the everlasting nature;

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Harvey Plays: 1

bittersweet tale of the joys and trials of living cheek-by-jowl in a Thamesmead housing estate, Babies is based on the playwright's experiences as a;

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Shakespeare on the German Stage

theatre against the background of German culture and politics in the twentieth century. It follows the earlier volume by Simon Williams on the;

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Shakespeare on the German Stage

theatre against the background of German culture and politics in the twentieth century. It follows the earlier volume by Simon Williams on the;

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Politics Performing Shakespeare Young

workshops with young people, this book argues that, rather than promoting a range of pre-determined textual understandings of the plays, it is by;

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Shakespeare in the Theatre: Nicholas Hytner

Part of the series Shakespeare in the Theatre, this book examines the work of renowned theatre director Nicholas Hytner (Artistic Director;

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A Companion to Shakespeare and Performance

A Companion to Shakespeare and Performance provides a state-of-the-art engagement with the rapidly developing field of Shakespeare;

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Shakespeare and the Force of Modern Performance

the dramatic text and the meanings of performance? Developing the notion of 'performativity' explored by J. L. Austin, Judith Butler, and;

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Shakespeare and the Force of Modern Performance

the dramatic text and the meanings of performance? Developing the notion of 'performativity' explored by J. L. Austin, Judith Butler, and;

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Antony and Cleopatra

Antony and Cleopatra is a tragedy by William Shakespeare. The play was performed first circa 1607 at the Blackfriars Theatre.;

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Shakespeare in the Theatre the American Shakespeare Center

The original Blackfriars closed its doors in the 1640s, ending over half-a-century of performances by men and boys. In 2001, in the;

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Shakespeare on Page and Stage

works, genre study, textual theory, Shakespeare's afterlife in the theatre, and contemporary performance. The volume is introduced by Peter;

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Shakespeare in the Theatre Mark Rylance at the Globe

Shakespeare in the Theatre: Mark Rylance at the Globe Each volume in the Shakespeare in the Theatre series focuses on a director or;

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Shakespeare the Theatre-Poet

Shakespeare the theatre-poet as making theatre not only by outlining an imaginary world but by providing guidelines for its enactment and reception;

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Moving Shakespeare Indoors

current Globe on Bankside. This volume, edited by Andrew Gurr and Farah Karim-Cooper, asks what prompted the move to indoor theatres, and;

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Shakespeare and the Japanese Stage

In this book, originally published in 1999, leading Shakespeare scholars from Japan and the West broke new ground by studying the;

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Shakespeare and the Japanese Stage

In this book, originally published in 1999, leading Shakespeare scholars from Japan and the West broke new ground by studying the;

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