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Shakespeare and The Nature of Women , first published in 1975, inaugurated a new wave of feminist scholarship. It claimed that;
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Cavendish published the first critical essay on Shakespeare in 1664, women have written as scholars, critics, editors, performers and popularisers;
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In a series of stylized, highly visual vignettes employing puppetry, poetry, and surrealism, the Weird Sisters from Macbeth explore the;
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Frank Harris argues that the way women are presented in Shakespeare's plays and sonnets are a reflection of the real-life women in his life;
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Frank Harris argues that the way women are presented in Shakespeare's plays and sonnets are a reflection of the real-life women in his life;
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A collection of sonnets and other poems by William Shakespeare explores the nature of love;
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eighteenth century. The period's perception of Shakespeare as unlearned allowed many women to identify with him and in doing so they seized an;
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eighteenth century. The period's perception of Shakespeare as unlearned allowed many women to identify with him and in doing so they seized an;
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revision of the very concept of canon and discusses how several African-American women writers (in particular Maya Angelou and Gloria Naylor) have;
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Originally published in 1994 by the University of Georgia Press, a study of the influence of Shakespeare on women novelists from the late;
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around the world. A unique and invaluable research guide for theatregoers, theatre practitioners, and theatre scholars, its noteworthy essays and;
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around the world. A unique and invaluable research guide for theatregoers, theatre practitioners, and theatre scholars, its noteworthy essays and;
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America's uncontested expert on Shakespeare and author of The Western Canon presents a monumental analysis of each one of the;
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is it relevant, and if so how, that his women were first played by boys? This book shows how many kinds of feminist theory help analyze the;
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Shakespeare, Antony and Cleopatra, and the Nature of Fame is a characterological study offering new perspectives on Antony and Cleopatra;
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Romantic critics - Coleridge, Schlegel, and Hazlitt - and the dichotomies which emerge are found to reflect tensions exhibited by or explored;
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The question is not whether Shakespeare studies needs feminism, but whether feminism needs Shakespeare. This is the explicitly political;
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reading Shakespeare in astonishing numbers and in surprising places. Composed mainly of women, these clubs offered the opportunity for members not;
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traditional interpretations of his plays, in the late 20th-century. For example, Jane Smiley's A Thousand Acres , which rewrites King Lear , and;
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Middleton's A Chaste Maid in Cheapside , different chapters of the study focus upon the allegedly natural character of femininity, masculinity, and;
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Middleton's A Chaste Maid in Cheapside , different chapters of the study focus upon the allegedly natural character of femininity, masculinity, and;
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This text provides a combination of well written, up-to-date background information and selections from primary documents. The Bedford;
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This text provides a combination of well written, up-to-date background information and selections from primary documents. The Bedford;
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Poor women do not fit easily into the household in Shakespeare. They shift in and out of marriages, households, and employments, carrying;
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Poor women do not fit easily into the household in Shakespeare. They shift in and out of marriages, households, and employments, carrying;
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); collaborative textual production (Shakespeare and his transcribers and printers). What this leaves unaccounted for is the form of collaboration that;
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An investigation of the many ways that Shakespeare uses the defiant voice of the shrew. Kamaralli explores how modern performance practice;
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