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The Norton Shakespeare

immortalized. Combining the freshly edited texts of the Oxford Edition with lively introductions by Stephen Greenblatt and his co-editors, glossaries;

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The Norton Shakespeare Comedies

introductions by Stephen Greenblatt and his co-editors, glossaries and annotations, and an elegant single-column page (that of the Norton Anthologies;

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The Norton Shakespeare Tragedies

introductions by Stephen Greenblatt and his co-editors, glossaries and annotations, and an elegant single-column page (that of the Norton Anthologies;

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The Norton Shakespeare Histories

introductions by Stephen Greenblatt and his co-editors, glossaries and annotations, and an elegant single-column page (that of the Norton Anthologies;

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William Shakespeare and Others

, renowned scholars Jonathan Bate and Eric Rasmussen, supported by a dynamic team of co-editors, now provide a fascinating insight into ten plays;

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Romance and Poems

introductions by Stephen Greenblatt and his co-editors, glossaries and annotations, and an elegant single-column page (that of the Norton Anthologies;

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Shakespeare in Love

, London, in a co-production by Disney and Sonia Friedman Productions.;

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Shakespeare and Co.

contemporaries to life, Shakespeare & Co throws fresh new light on the man himself. 'Warm, cheerful, generous ... Wells sketches a whole gallery;

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The Marlowe-Shakespeare Continuum

In The Marlowe-Shakespeare Continuum, Donna N. Murphy demonstrates how Christopher Marlowe, sometimes in co-authorship with humorist Thomas;

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Late Shakespeare, 1608-1613

, Shakespeare's last seven extant plays are discussed in detail in dedicated chapters, from Pericles to the other late co-authored works, King Henry VIII;

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Late Shakespeare, 1608-1613

, Shakespeare's last seven extant plays are discussed in detail in dedicated chapters, from Pericles to the other late co-authored works, King Henry VIII;

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Shakespeares Lost Play

Gregory Doran's account of his quest to re-discover Cardenio, the lost play written by Shakespeare and John Fletcher. A thrilling act;

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Shakespeare'S Modern Collaborators

can be investigated: collaborative performance (Shakespeare and his fellow actors); collaborative writing (Shakespeare and his co-authors;

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Early Shakespeare, 1588-1594

early style, characterisation, and dramaturgy, together with analysis of his early co-authors, rivals, and influences (including Lyly, Spenser;

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In Arden: Editing Shakespeare

from King's College London in 1999 after 35 years. This is a well-planned, focused and co-ordinated volume makes a significant contribution to;

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Shakespeare and the Ethics of War

explorations of perennial problems of human co-existence: the politics of honor, the ethics of diplomacy, the responsibility of non-combatants, and the;

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Shakespeare and Text

significantly extended the picture of Shakespeare as a co-author. A new chapter describes digital text, digital editing, and their interface with the;

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Shakespeare and Text

significantly extended the picture of Shakespeare as a co-author. A new chapter describes digital text, digital editing, and their interface with the;

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Shakespeare and the Versification of English Drama, 1561-1642

of versification offers new ways to think about the dating of plays, attribution of anonymous texts, and how collaborators divided their task in co;

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Shakespeare and the Versification of English Drama, 1561-1642

of versification offers new ways to think about the dating of plays, attribution of anonymous texts, and how collaborators divided their task in co;

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Macbeth

historical, theatrical and critical context and outlining the recent debates about Middleton's possible co-authorship of some scenes. A;

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King Lear

mind, King Lear dazzles us with its power, its range and its artistry. In a world where bitterness and innocence, correction and;

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The New Cambridge Shakespeare

The New Cambridge Shakespeare appeals to students worldwide for its up-to-date scholarship and emphasis on performance. The series features;

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Shakespeare's Poetic Styles

argument for the idea that the power of Shakespearean drama depends upon the co-operation of poetic style and dramatic form. Three plays are;

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Shakespeare's Poetic Styles

argument for the idea that the power of Shakespearean drama depends upon the co-operation of poetic style and dramatic form. Three plays are;

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Power and Ambition in Shakespeare

Power and Ambition in Shakespeare is een boek van Shakespeare, William;

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