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Revenge In Attic And Later Tragedy

legendary time and place distinct both from reality and from the ethics of ordinary life. Offering fresh readings of Attic tragedy, Anne Pippin;

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Aeschylus

political thinking, and its attitude to women. It engages with the play's great influence on later Attic tragedy and then considers Seneca's Roman;

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Spanish Tragedy

The first fully-fledged example of a revenge tragedy, the genre that became so influential in later Elizabethan and Jacobean drama, The;

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Spanish Tragedy

Drama Classics: The World's Great Plays at a Great Little Price A ghoulish and bloody 16th-century tragedy. The ghost of a;

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Revenge Tragedy and Classical Philosophy on the Early Modern Stage

atmospheres and ontological assumptions of revenge tragedy exert their own kind of conditioning dramaturgical force. The book also revitalises our;

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Revenge Tragedy and Classical Philosophy on the Early Modern Stage

This book discovers within early modern revenge tragedy the surprising shaping presence of a wide array of classical philosophies not;

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The Origin of Attic Comedy

of Ancient Philosophy and a fellow of Trinity College, Cambridge. Beginning with Aristotle's observation that from the earliest stage Attic Comedy;

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Revenge Tragedy

linchpins of narrative structure, it is central to much Greek tragedy and was immensely popular in Elizabethan and Jacobean theatres. In this;

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When the bad bleeds

interprets a representative number of revenge tragedies, among them The Spanish Tragedy, The White Devil, and The Revenger's Tragedy, to draw general;

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Hamlet

murderer, Hamlet faces a terrible dilemma. This is Shakespeare's great tragedy of passion, corruption and revenge.;

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The Revenger's Tragedy

revenge tragedies such as Hamlet. With its over-the-top and highly theatrical approach to revenge, The Revenger's Tragedy has emerged as one;

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Revenge Tragedy Aeschylus To Armageddon

exceptionally learned and lively book, John Kerrigan explores the literature of vengeance from Greek tragedy to postmodernism, ranging through material;

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WC Four Revenge Tragedies

The Revenge Tragedy flourished in Britain in the late sixteenth and early seventeenth centuries. Thomas Kyd's The Spanish Tragedy helped;

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The Origins of English Revenge Tragedy

is involved in theatrical materiality. It shows how the moral difficulty of revenge in plays like The Spanish Tragedy, Hamlet and The Duchess of Malfi;

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Beyond the Spanish Tragedy

years later. In this study, The Spanish Tragedy - the most popular of all plays on the English Renaissance stage - receives the extensive;

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Harvard Studies in Classical Philology V 71

: Politics and Early Attic Tragedy, by John H. Finley, Jr.; Pseudo-Xenophon, by G. W. Bowersock; Noctes Propertianae, by G. P. Goold; An Indo;

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The Origins of English Revenge Tragedy

Charting a new course between performance studies and literary criticism, this book explores how recognition of the dramatic person;

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Four Revenge Tragedies

presents a unique social and cultural milieu where dark fantasies of revenge are variously played out. In Kyd's The Spanish Tragedy a grieving;

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Doing Kyd Essays on the Spanish Tragedy Revels Plays Companion Library

Doing Kyd reads Thomas Kyd's The Spanish Tragedy, the box-office and print success of its time, as the play that established the revenge;

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Plays by Renaissance and Restoration Dramatists

masterpiece; a satirical tragedy with farce structure and poetic vision focused upon the vice and corruption of the imagined Italy of the Jacobean;

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Greek Tragedy

approaches to the interpretation of Greek tragedy. All three Attic dramatists receive attention, some essays being studies of a play as a whole;

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Elizabethan Revenge Tragedy, 1587-1642

A most thorough study of the Elizabethan Tragedy of Revenge, its origins, development, the ethical influence affecting it and the inter;

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Elizabethan Revenge Tragedy, 1587-1642

A most thorough study of the Elizabethan Tragedy of Revenge, its origins, development, the ethical influence affecting it and the inter;

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Tragic Workings in Euripides' Drama

Tragic Workings in Euripides Drama offers a substantially new theory and method for understanding Attic tragedy. Starting from;

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The Cambridge Companion To Shakespearean Tragedy

The Cambridge Companion to Shakespearean Tragedy acquaints the student reader with the forms, contexts, critical and theatrical lives;

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Shakespeare and Classical Tragedy

is illustrated by an earlier and later Shakespearean tragedy. The author keeps in view Shakespeare's eclecticism, his habit of combining disparate;

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Greek Tragedy and the Emotions

According to Aristotle the main purpose of tragedy is the manipulation of emotions, and yet there are relatively few accessible studies;

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