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Representing African Americans in Transatlantic Abolitionism and Blackface Minstrelsy

and engaging analysis, Representing African Americans in Transatlantic Abolitionism and Blackface Minstrelsy reveals how the most popular form;

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Blackface Nation

is especially evident in popular culture and the interplay between two specific strains of music: middle-class folk and blackface minstrelsy. The;

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Race and White Identity in Southern Fiction

White southern writers are frequently associated with the racism of blackface minstrelsy in their representations of African American;

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Race and White Identity in Southern Fiction

White southern writers are frequently associated with the racism of blackface minstrelsy in their representations of African American;

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On the Real Side

This comprehensive history of black humor sets it in the context of American popular culture. Blackface minstrelsy, Stepin Fetchit, and the;

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Michael Jackson and the Blackface Mask

Blackface minstrelsy, the nineteenth-century performance practice in which ideas and images of blackness were constructed and;

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Demons of Disorder

of entertainment influenced and shaped blackface minstrelsy in the first half of the nineteenth century. In his fascinating study Demons of Disorder;

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Cambridge Studies in American Theatre and Drama

of entertainment influenced and shaped blackface minstrelsy in the first half of the nineteenth century. In his fascinating study Demons of Disorder;

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Love & Theft

sometimes usefully intensified them. Based on the appropriation of black dialect, music, and dance, minstrelsy at once applauded and lampooned black;

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Darkest America

Yuval Taylor and Jake Austen investigate the complex history of black minstrelsy, adopted in the mid-nineteenth century by African American;

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Black Victorians/Black Victoriana

This is an attempt to correct the historical record. Using a transatlantic lense, the US and British contributors to this book aim to;

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Blackface

A New Statesman essential non-fiction book of 2021 Featured in Book Riot's 12 best nonfiction books about Black identity and history A;

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Transatlantic Abolitionism in the Age of Revolution

Transatlantic Abolitionism in the Age of Revolution offers a fresh exploration of anti-slavery debates in the late eighteenth and early;

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Blackness and Transatlantic Irish Identity

Blackness and Transatlantic Irish Identity analyzes the long history of imagined and real relationships between the Irish and African;

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The Peculiar Afterlife of Slavery

emancipation. Drawing out the connections between this liminal figure and the formal aesthetics of blackface minstrelsy in literature of the;

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Critical Perspectives on Empire

Transatlantic Abolitionism in the Age of Revolution offers a fresh exploration of anti-slavery debates in the late eighteenth and early;

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To Plead Our Own Cause

of African Americans in the Bay State to both local and nationwide antislavery activity before 1831 and demonstrates that their efforts represent;

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Abolitionism and Imperialism in Britain, Africa, and the Atlantic

. Abolitionism and Imperialism in Britain, Africa, and the Atlantic expands both the temporal and the geographic framework in which the history;

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Negro Comrades of the Crown: African Americans and the British Empire Fight the U.S. Before Emancipation

, Gerald Horne reveals in his latest work of historical recovery that after 1776, Africans and African-Americans continued to collaborate with;

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Seven Myths of Africa in World History

promote lively discussions among readers while deepening their understanding of African and world history. The book is strengthened by its;

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Seven Myths of Africa in World History

promote lively discussions among readers while deepening their understanding of African and world history. The book is strengthened by its;

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Uncle Tom Mania

how the theatrical mode of blackface minstrelsy, the slavery question, and America's emerging cultural identity affected how Uncle Tom's Cabin;

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Representing Black Culture

carefuly at how African-Americans as well as whites have represented and projected balck culture into the mainstream. He then goes on to examine;

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Negro Comrades of the Crown

, Gerald Horne reveals in his latest work of historical recovery that after 1776, Africans and African-Americans continued to collaborate with;

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That's Got 'em!

. His talent transformed every genre of black music before the advent of rock and roll-- pickaninny bands, minstrelsy, circus sideshows;

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Running a Thousand Miles for Freedom

In 1848 William and Ellen Craft made one of the most daring escapes in the history of slavery. This edition of their story includes 11;

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Transatlantic Africa

societies and their members at various strata in the transatlantic era, strongly emphasizing the global context and the multiplicity of African;

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