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Renaissance Reform Of Medieval Music Theory

Guido of Arezzo - as the diatonic foundation of early music. Stefano Mengozzi challenges this view by examining a representative sample of the;

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Heavenly Harmonies

A history of the development of harmony in the Middle Ages, including the music, composers, theorists and music theory, musicians, and;

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Historical Anthology of Music - Oriental, Medieval & Renaissance Music V 1 Rev Ed

volume includes the development of Oriental, Medieval, and Renaissance music from the beginning to 1600. Its more than 200 representative;

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Musica Naturalis

Musica Naturalis delivers the first systematic account of speculative music theory as a discursive horizon for literary poetics. The title;

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Medievalia et Humanistica, No. 41: Studies in Medieval and Renaissance Culture

itself entirely to medieval and Renaissance studies. Since 1970, a new series, sponsored by the Modern Language Association of America and edited;

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Medievalia et Humanistica, No. 45: Studies in Medieval and Renaissance Culture

ambiguity of Charlemagne in Late Medieval German literature, a Christian epic in favor of the Muslim Sultan Mehmet II., theory and practice;

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Studies in Medieval and Renaissance Culture

itself entirely to medieval and Renaissance studies. Since 1970, a new series, sponsored by the Modern Language Association of America and;

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Medievalia et Humanistica, No. 47: Studies in Medieval and Renaissance Culture

itself entirely to medieval and Renaissance studies. Since 1970, a new series, sponsored by the Modern Language Association of America and edited;

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Distributed Cognition in Medieval and Renaissance Culture

ambitious 4-volume set looking at distributed cognition in the history of thought Includes essays on literature, philosophy, law, art, music;

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Medievalia et Humanistica, No. 40: Studies in Medieval and Renaissance Culture

itself entirely to medieval and Renaissance studies. Since 1970, a new series, sponsored by the Modern Language Association of America and edited;

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The Renaissance Reform of the Book and Britain

What has fifteenth-century England to do with the Renaissance? By challenging accepted notions of 'medieval' and 'early modern' David;

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The Renaissance Reform of the Book and Britain

What has fifteenth-century England to do with the Renaissance? By challenging accepted notions of 'medieval' and 'early modern' David;

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Source Readings in Music History V 1 - Greek Views of Music Rev

understand ideas about music set forth by medieval and Renaissance writers and theorists.;

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The Individual and the Cosmos in Renaissance Philosophy

This thought-provoking classic investigates how the Renaissance spirit fundamentally questioned and undermined medieval thought. Of value;

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Medievalia et Humanistica, No. 35

itself entirely to medieval and Renaissance studies. Since 1970, a new series, sponsored by the Modern Language Association of America and edited;

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Medieval Theory of Authorship

discussion of late medieval literary works has tended to derive its critical vocabulary from modern, not medieval, theory. In Medieval Theory;

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Rhetoric Renewal Lat West 1100-1540

The essays in this volume, presented in honor of John O. Ward, explore the role of rhetoric in promoting reform and renewal in the Latin;

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The Classics in the Medieval and Renaissance Classroom

centuries. By analysing some of the commentaries, glosses, and paraphrases of these classics that were deployed in medieval and Renaissance;

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Music, Scholasticism and Reform

and non-specialist ecclesiastical, intellectual and cultural historians, as well as to historians of music and of medieval culture. -- .;

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Instruments, Ensembles, and Repertory, 1300-1600

medieval and Renaissance music performance topics adds to the areas in which Keith Polk has made significant contributions, namely instruments;

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Festive Enterprise

Festive Enterprise reveals marketplace pressures at the heart of dramatic form in medieval and Renaissance drama. In Festive;

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Festive Enterprise

Festive Enterprise reveals marketplace pressures at the heart of dramatic form in medieval and Renaissance drama. In Festive;

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