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philosophical classics as Laozi, Zhuangzi, and Classic of Changes featured prominently. Reading Philosophy, Writing Poetry examines how these writers;
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. Focusing on works by poets from the entire range of early medieval China (220589), Yue Zhang explores how history was disseminated and interpreted;
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in alternative modes of history-writing that functioned in a larger ecology of narrative forms, including Latinate Christian history and the biblical;
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investigation ranges from medieval Spain, through the Byzantine Empire and the Crusader states, to late medieval and early modern Turkey. This;
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twentieth-century and contemporary continental thinkers have engaged with poetry and its contribution to philosophical meaning making, challenging;
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medieval poetry. The volume also includes a rich collection of articles on English scriptural plays from surviving manuscripts.;
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medieval poetry. The volume also includes a rich collection of articles on English scriptural plays from surviving manuscripts.;
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poetry was devoted more to philosophy and politics. He did not stop writing love poetry entirely, but the content was less shocking. Amongst his;
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certain modes of response to Keats's texts. Together with important new readings of Keats's poetry, the study presents a significant rethinking;
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An exploration of Chinese during a time of monumental change, the period after the fall of the Han d;...
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Conscious of ancient modes of reading poetry 'for the life', Roman poets encoded versions of their lives into their texts. The result is a;
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do not rely on philosophy for interpretation and understanding; they are already independent practices and sites of sensuous meaning;
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do not rely on philosophy for interpretation and understanding; they are already independent practices and sites of sensuous meaning;
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In Poetry and Music in Medieval France, first published in 2003, Ardis Butterfield examines vernacular song in medieval France. She begins;
Vergelijkbare producten zoals Poetry and Music in Medieval France
In Poetry and Music in Medieval France, first published in 2003, Ardis Butterfield examines vernacular song in medieval France. She begins;
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in early medieval China. Religion is to the fore in the first two sections, dealing with Daoist immortals and their cult, as reflected in poetic;
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in early medieval China. Religion is to the fore in the first two sections, dealing with Daoist immortals and their cult, as reflected in poetic;
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about social change. Drawing on the philosophical reading and writing practices of medieval author Christine de Pizan and twentieth-century;
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about social change. Drawing on the philosophical reading and writing practices of medieval author Christine de Pizan and twentieth-century;
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, cultural and intellectual contexts. 'Canciones' and the Early Poetry of Lorca is a pioneering reassessment of the early writing of one of the most;
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these writings. These modes, Tian argues, were established in early medieval times and resurfaced, in permutations and metamorphoses;
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of the major developments in early Italian literature: Guittone d'Arezzo, Guido Guinizzelli, Guido Cavalcanti, and Dante. Rather than reading the;
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both modes of reception could apply to one work. The opening chapters review previous scholarship, and the introduction of writing into;
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both modes of reception could apply to one work. The opening chapters review previous scholarship, and the introduction of writing into;
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An examination of medieval historican writings through the prism of violence. The concept of medieval historiography as usable past;
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certain modes of response to Keats's texts. Together with important new readings of Keats's poetry, the study presents a significant rethinking;
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