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Popular Musicology and Identity

Popular Musicology and Identity paves new paths for studying popular music's entwinement with gender, sexuality, ethnicity, class;

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Musicology

Musicology: the Key Concepts provides a vital reference guide for students of contemporary musicology. Its clear and accessible entries;

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Musicology

Musicology: the Key Concepts provides a vital reference guide for students of contemporary musicology. Its clear and accessible;

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Music and Irish Identity

engages with particular aspects of Irish identity. The nature of popular music and the Irish identity it supposedly articulates have both;

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Made in Japan

Made in Japan serves as a comprehensive and rigorous introduction to the history, sociology, and musicology of contemporary Japanese;

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Made in Japan: Studies in Popular Music

Made in Japan serves as a comprehensive and rigorous introduction to the history, sociology, and musicology of contemporary Japanese;

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Popular History Now and Then

favour popular approaches from around 1800 to the present. They analyse the media, genres and institutions through which historical knowledge has;

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The Global Sixties in Sound and Vision: Media, Counterculture, Revolt

Despite the explosion of interest in the global 1968, the arts in this period - both popular and avant-garde forms - have too often been;

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Global Metal Music and Culture

, anthropology, philosophy, and ethics, this volume offers new and innovative research on metal musicology, global/local scenes studies, fandom, gender;

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Forensic Musicology and the Blurred Lines of Federal Copyright History

musicology. It examines the contributions of musical expert witnesses, their analytical techniques, and the issues they encounter assisting courts;

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Forensic Musicology and the Blurred Lines of Federal Copyright History

musicology. It examines the contributions of musical expert witnesses, their analytical techniques, and the issues they encounter assisting courts;

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California Polyphony

compelling journey into the origins of musical identity, California Polyphony explores the intersection of musicology, cultural history, and politics;

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Popular Receptions of Archaeology

sociocultural concerns in connection with identity formation. With its focus on popular culture as well as identity and memory studies, the book appeals;

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The Beat Goes On

with contributions from experts from the field of popular music history, cultural geography, ethnography and musicology, alongside essays and;

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Women Writing Music in Late Eighteenth-Century England

Combining new musicology trends, formal musical analysis, and literary feminist recovery work, Leslie Ritchie examines rare poetic;

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Henrietta Maria

study of Queen Henrietta Maria and her multi-faceted roles and responsibilities. Elements of the queen's popular biography - her European;

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National Identity, Popular Culture and Everyday Life

?This book examines how national identity is represented, performed, spatialized and materialized through popular culture and in everyday life;

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Undergraduate Musicology Research

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The power of music

sector.With contributions of seven experts in different fi eldssuch as musicology, ergonomics, acoustics, physics,and movement;

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Studies in Musicology, 1935-1975

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Statistics in Musicology

questions. Statistics In Musicology presents an unprecedented introduction to statistical and mathematical methods developed for use in music;

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Coming of Age

As the 21st Century’s third decade approaches, popular music study has achieved greater scope, depth, and prominence in academic;

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Popular Music and the Female

The increasing popularity of Western popular songs in English has made it transcendent and acceptable by persons with diverse socio;

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Musicology Incl. 28pg. Booklet INCL. 28PG. BOOKLET. Prince, CD

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New Media Literacies and Participatory Popular Culture Across Borders

of theory, identity, and pedagogy as they address participatory popular culture sites such as fan forums, video, blogs, social networking sites;

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New Media Literacies and Participatory Popular Culture Across Borders

of theory, identity, and pedagogy as they address participatory popular culture sites such as fan forums, video, blogs, social networking sites;

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Aristoxenus of Tarentum and the Birth of Musicology

First published in 2005. Routledge is an imprint of Taylor & Francis, an informa company.;...

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