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Playing with the Gaze in Hitchcock. The Experience of Visual Pleasure in "Rear Window", "Vertigo" and "Psycho"

auteurs and a pioneer in the field of visual manipulation. Through his way of directing the camera - and with the camera also the gaze of t;

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Alfred Hitchcock 14 Film Collection

Hitchcock 14 Film Collection bevat 14 ijzersterke films uit de illustere carrière van de befaamde regisseur, onder andere The Birds, Rear Window;

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The Alfred Hitchcock Classic Collection (4K Ultra HD + Blu-Ray)

uit de filmgeschiedenis. De Alfred Hitchcock Classics Collection bevat vier iconische films uit de roemrijke carrière van de veelgeprezen regisseur, Rear Window;

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The Cambridge Companion to Alfred Hitchcock

, Rear Window, Vertigo and Psycho, to name just a few. In this Companion, leading film scholars and critics of American culture and imagination;

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Cambridge Companions to American Studies

, Rear Window, Vertigo and Psycho, to name just a few. In this Companion, leading film scholars and critics of American culture and imagination;

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Alfred Hitchcock

suspense. With masterpleces such as Rebecca, Vertigo, Rear Window, and Psycho, Alfred Hitchcock (1899-1980) fashioned an extremely original;

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Hitchcock compleet

. Een geheel eigen, onvervalste stijl die doorsijpelde in zowel zijn werk op het witte doek als op de televisie. Psycho, Rear Window, Vertigo;

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Hitchcock compleet

. Een geheel eigen, onvervalste stijl die doorsijpelde in zowel zijn werk op het witte doek als op de televisie. Psycho, Rear Window, Vertigo;

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Alfred Hitchcock

silent and sound eras and resulted in 53 films of which Rear Window (1954), Vertigo (1958) and Psycho (1960) are now seen as classics within the;

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Alfred Hitchcock

silent and sound eras and resulted in 53 films of which Rear Window (1954), Vertigo (1958) and Psycho (1960) are now seen as classics within the;

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Hitchcock's Rear Window

Providing an extensive analysis of Rear Window , John Fawell dismantles many myths and cliches about Hitchcock, particularly in regard;

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Hitchcock, Alfred

, combining the modern with the classic in films such as Vertigo (1957), North by Northwest (1959) and The Birds (1963). Hitchcock gave talented;

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The Lovesong of Alfred J Hitchcock

, including Marnie, Vertigo, Psycho and Strangers on A Train. The result is a unique and haunting character study and an unprecedented journey into;

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Visual Paranoia in Rear Window, Blow-Up and The Truman Show.

postmodern media and information age as an incisive culture of the visual, which coincides with the general socio-political trend of cultural;

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Framing Hitchcock

. Other essays examine the influence of Vertigo , The Birds and Frenzy on Francois Truffaut the remaking of Psycho and feminist;

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Partners in suspense

work brings to Hitchcock's idiom. Examining key works, including The Man Who Knew Too Much, Psycho, Marnie and Vertigo, the essays explore;

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Movies of the 50s

(Vertigo, Psycho, Rear Window) to comedy classics (Tati's Mr. Hulot's Holiday, Billy Wilder's Some Like it Hot) to groundbreaking nouvelle vague;

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The Vertigo Treatment

/>In addition, the eyes (visual system) and body (proprioceptive system) also play a major role in preventing vertigo, maintaining balance;

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Cambridge Film Classics

discussed is the relationship between Hitchcock as a serious, even tormented artist and Hitchcock as a magician with a weakness for cinematic;

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Alfred Hitchcock and the Making of Psycho

Shares a behind the scenes look at how Psycho was made, despite studio opposition, and includes interviews with the cast and crew;

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Emotional Vertigo

in situations where there is no immediate physical danger of falling and no organic cause. She traces the origins of such emotional vertigo to inner;

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Psycho-Sexual

with a reconsideration of Psycho and the 1956 remake of The Man Who Knew Too Much to introduce the filmmaker's evolutionary development;

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Walsingham

certainly become the standard work on pilgrims and pilgrimage to the Holy Land of Walsingham. This comprehensive work begins with the pre-Christian;

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Hitchcock

of Hitchcock's art, this new chapter balances the scales and gives an important new dimension to the book.With exemplary precision, Hitchcock;

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Power Of The Gaze

the critical understanding of the meanings of visual orders. The book is written for all readers interested in visual culture and its;

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Gothic Returns in Collins, Dickens, Zola, and Hitchcock

Looking at the gothic in Victorian fiction, the development of cinema and Hitchcock's Vertigo , this book explores the contained or;

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Gothic Returns In Collins, Dickens, Zola And Hitchcock

Looking at the gothic in Victorian fiction, the development of cinema and Hitchcock's Vertigo , this book explores the contained or;

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Einde inhoud

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