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detailed discussions of three filmmakers. The relationship between film and philosophy has become a topic of intense intellectual interest. But how;
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film through philosophy. The book is divided into three parts. The first is an introduction to philosophy and film, designed for the reader;
Vergelijkbare producten zoals Film, Philosophy, and Reality
film through philosophy. The book is divided into three parts. The first is an introduction to philosophy and film, designed for the reader;
Vergelijkbare producten zoals Film, Philosophy, and Reality
Examines the overlap between film and philosophy in three distinct ways: epistemological issues in film-making and viewing; aesthetic;
Vergelijkbare producten zoals Philosophy of the Film
Examines the overlap between film and philosophy in three distinct ways: epistemological issues in film-making and viewing; aesthetic;
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Organized around a series of philosophic questions about film, The Philosophy of Film: Introductory Text and Readings offers an;
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This collection displays a range of approaches and contemporary developments in the expanding field of film-philosophy. The essays explore;
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This volume collects twenty original essays on the philosophy of film. It uniquely brings together scholars working across a range;
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Philosophy and the Patience of Film presents a comparative study of the work of Jean-Luc Nancy and Stanley Cavell. It discusses the effect;
Vergelijkbare producten zoals Philosophy and the Patience of Film in Cavell and Nancy
An introduction to philosophy through film, Thinking Through Film: Doing Philosophy, Watching Movies combines the exploration;
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An introduction to philosophy through film, Thinking Through Film: Doing Philosophy, Watching Movies combines the exploration;
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Philosophy and Blade Runner explores philosophical issues in the film Blade Runner , including human nature, personhood, identity;
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This is the first book to explore all central issues surrounding the relationship between the film-image and philosophy. It tackles the;
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and contentious debates within the philosophy of film. Mapping out the conceptual terrain, it examines both analytic and continental;
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A series of essays on film and philosophy whose authors - philosophers or film studies experts - write on a wide variety of films: classic;
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and contentious debates within the philosophy of film. Mapping out the conceptual terrain, it examines both analytic and continental;
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think ? Film as Philosophy is the first book to explore this fascinating question historically, thematically, and methodically. Bringing;
Vergelijkbare producten zoals Film as Philosophy
think ? Film as Philosophy is the first book to explore this fascinating question historically, thematically, and methodically. Bringing;
Vergelijkbare producten zoals Film as Philosophy
Phenomenology of Film: A Heideggerian Account of the Film Experience uses the philosophy of Martin Heidegger as a framework for addressing;
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What is 'the good' of the film experience? And how does the budding field of 'film as philosophy' answer this question? Charting new routes;
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seriously is also to engage with the fundamental questions of philosophy. Nathan Andersen brings Stanley Kubrick's film A Clockwork Orange into;
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seriously is also to engage with the fundamental questions of philosophy. Nathan Andersen brings Stanley Kubrick's film A Clockwork Orange into;
Vergelijkbare producten zoals Shadow Philosophy
This is the first book to explore all central issues surrounding the relationship between the film-image and philosophy. It tackles the;
Vergelijkbare producten zoals Refractions of Reality
This is the first book to explore all central issues surrounding the relationship between the film-image and philosophy. It tackles the;
Vergelijkbare producten zoals Refractions of Reality
Pack includes 2 titles from the popular Blackwell Philosophy Anthologies Series: Philosophy of Literature : Contemporary and Classic;
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, Grierson, Bazin and Kracauer, and the relationship of realist film theory to the general field of film theory and philosophy. This is the first;
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slavish recordings of reality. This book is ideal for academics and courses on the philosophy of film, film theory, film history, filmmaking;
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