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Philip Sidney and the Poetics of Renaissance Cosmopolitanism

in order to afford a broader understanding of the Defence and the cultural context inside which Sidney produced both his poetry and his poetics.;

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Sir Philip Sidney and the Poetics of Protestantism

Sir Philip Sidney and the Poetics of Protestantism was first published in 1978. Minnesota Archive Editions uses digital technology to make;

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Quoting Death in Early Modern England

the ways in which writers including Shakespeare, Marlowe, Holinshed, Sidney, Jonson, Donne, and Elizabeth I have recited these texts within;

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The Poems of Sir Philip Sidney

A scholarly edition of poems by Sir Philip Sidney. The edition presents an authoritative text, together with an introduction, commentary;

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Pastoral and the Poetics of Self-Contradiction

, Virgil, Sidney and Marvell. Her approach revises current understanding of pastoral as a genre, and raises wider questions about the place;

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Pastoral and the Poetics of Self-Contradiction

, Virgil, Sidney and Marvell. Her approach revises current understanding of pastoral as a genre, and raises wider questions about the place;

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European Erotic Romance

of the genre by Sir Philip Sidney, Shakespeare and Lady Mary Sidney Wroth. Providing fresh insight into the development of the novel, this study;

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Symmetry and Sense

Few Elizabethans left the image of their personalities cut so deeply into the Renaissance imagination as did Sir Philip Sidney. Widely;

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A Ciceronian Sunburn

approaches to learning. By recasting the poetic texts of Edmund Spenser and Sir Philip Sidney as works that participated in sixteenth-century debates;

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Touches of Sweet Harmony

The notion of a harmonious universe was taught by Pythagoras as early as the sixth century BC, and remained a basic premise in Western;

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Sidney And Junius On Poetry And Painting

fortunate to have his recently discovered marginalia to the works of Philip Sidney. It is the relationship between his treatise, The Painting of the;

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Transcultural Poetics and the Concept of the Poet

poet from Philip Sidney to T. S Eliot, reading the notion of the poet through completely new theoretical and epistemic triggers. Commonly known;

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Transcultural Poetics and the Concept of the Poet

poet from Philip Sidney to T. S Eliot, reading the notion of the poet through completely new theoretical and epistemic triggers. Commonly known;

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Reading Sixteenth-Century Poetry

Plato, Aristotle, Horace, Longinus, Philip Sidney, George Puttenham, Percy Bysshe Shelley, Seamus Heaney, Adrienne Rich, and Helen Vendler;

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Ovid's Poetics of Illusion

Ovid's poetry is haunted obsessively by a sense both of the living fullness of the texts and of the emptiness of these 'insubstantial;

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Ovid's Poetics of Illusion

Ovid's poetry is haunted obsessively by a sense both of the living fullness of the texts and of the emptiness of these 'insubstantial;

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Poetic and Legal Fiction in the Aristotelian Tradition

When Philip Sidney defends poetry by defending the methods used by poets and lawyers alike, he relies on the traditional association;

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Poetic and Legal Fiction in the Aristotelian Tradition

When Philip Sidney defends poetry by defending the methods used by poets and lawyers alike, he relies on the traditional association;

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Conceived Presences

Jacobean poets saw Philip Sidney as their most important modern precursor and placed him at the root of their family tree. The book's introduction;

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Sir Philip Sidney

age. In the late 1570s and early 1580s, when the literary scene in England was barren, Sidney emerged as the right man at the right moment to;

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A Sidney Chronology

A Sidney Chronology: 1554-1654 offers a comprehensive chronological survey of the literary, political and personal history of the Sidney;

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Renaissance Papers 1997

with Shakespearian dramatic theme and technique. TREVOR HOWARD-HILL is C. Wallace Martin Professor of English at the University of South;

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Perspectives On Renaissance Poetry

of study, Perspectives on Renaissance Poetry is an authoritative and accessible guide to the verse of the Early Modern period. Each chapter covers;

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The Site of Petrarchism

and the Pleiade brigade, Philip and Mary Sidney, and Mary Wroth. Kennedy begins with a survey of Petrarch's poetry and its citation in Italy;

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The Model of Poesy

Scott in 1599, at the end of the most revolutionary decade in English literary history, it includes rich discussions of the works of Sidney;

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