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in classical antiquity. In this book, Rocco Sinisgalli investigates theories of linear perspective in the classical era. Departing from the received;
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descriptions of ancient paintings, were used as models for re-creating the visual culture of antiquity. Paintings of classical myths that were shaped;
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fields of classical antiquity and popular culture * Focuses on the award-winning first season's historical framework, visual and narrative style;
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fields of classical antiquity and popular culture * Focuses on the award-winning first season's historical framework, visual and narrative style;
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of classical antiquity and of modern history, anthropology, and visual culture, the book's ambition is to offer a new conceptual map of antiquity;
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How did the Victorians engage with the ancient world? Victorian Culture and Classical Antiquity is a brilliant exploration of how the;
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of classical, Roman, and Christian antiquity. It explores the role of the visual in helping to create a vision of the gods and how commitment to the;
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The Classical Tradition: Art, Literature, Thought presents an authoritative, coherent and wide-ranging guide to the afterlife of Greco;
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The Classical Tradition: Art, Literature, Thought presents an authoritative, coherent and wide-ranging guide to the afterlife of Greco;
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The reception of Mediterranean Antiquity heritage is one of the dominant research areas in contemporary classical studies. This issue has;
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of visual culture in the constitution of late antique societies. The editors are all affiliated with the Department of Classical Studies at;
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created and perpetuated by women. Women's Influence of Classical Civilization provides students with a valuable wider perspective on the roles;
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created and perpetuated by women. Women's Influence of Classical Civilization provides students with a valuable wider perspective on the roles;
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Sex: Vice and Love from Antiquity to Modernity examines the impact that sexual fantasies about the classical world have had on modern;
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Inventing Ancient Culture discusses aspects of antiquity which we have tended to ignore. It asks the reader how far we have reinvented;
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premise that the history of classical antiquity as the ancients tell it is a history of men. However, the focus of this volume is the creation, re;
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premise that the history of classical antiquity as the ancients tell it is a history of men. However, the focus of this volume is the creation, re;
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conceptualization of sight in the history, visual culture, literature and philosophy of classical antiquity. Examining how the Greeks and Romans interpreted;
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conceptualization of sight in the history, visual culture, literature and philosophy of classical antiquity. Examining how the Greeks and Romans interpreted;
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Shifting Cultural Frontiers in Late Antiquity explores the transformation of classical culture in late antiquity by studying cultures at;
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Shifting Cultural Frontiers in Late Antiquity explores the transformation of classical culture in late antiquity by studying cultures at;
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and explores, in depth, issues related to the reception and use of classical antiquity in modern sport, spectacle and bodily culture. For;
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This title was first published in 2002: Since antiquity through to the present, architecture and the pictorial arts (paintings, photography;
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architecture or retellings of mythical stories. Far from being the mere handmaiden of colonialism (and later apartheid), classical antiquity has;
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of antiquity and the process of continuous reinterpretation and re-evaluation of the ancient heritage, including the history of classical scholarship.;
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of antiquity and the process of continuous reinterpretation and re-evaluation of the ancient heritage, including the history of classical scholarship.;
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