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of the analysis of paintings, and to increase their amenability to philosophically satisfying historical use. Paintings and the Past is a must;
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of the analysis of paintings, and to increase their amenability to philosophically satisfying historical use. Paintings and the Past is a must;
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, quotes, and ephemera that illustrate the different aspects of Irish life in New York, past and present.;
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The vibrantly chromatic paintings and sculptures of Peter Stauss (born 1950) combine philosophical concerns with lively narrative play as;
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opulent detail. This volume provides full-color documentation of Burgert's newest works and his output from the past few years.;
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Wright brothers' first successful flight in 1903 to the present day, capturing the extraordinary innovations in aircraft and aviation technology;
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significant public influence of Calvinism-especially its suppression of past cultural traditions and the new conditions of possibility it created for;
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of the extraordinary natural beauty of the Hebrides. The paintings have been collected over the past forty years and show the changing faces;
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, iconography and patronage, taking into account past scholarship. The artists's working methods and studio practices and his output in other media are;
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of the extraordinary natural beauty of the Hebrides. The paintings have been collected over the past forty years and show the changing faces;
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period, but focuses on what life was like for children, including where they lived and where they worked. The text is supported by primary source;
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studies with broader images of past societies, thereby contributing to the theoretical and methodological debates in archaeology.;
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to carry the trace of a god? Once animated and revered, can it ever be a mere painting again? How have shaman paintings been revalued as art;
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to carry the trace of a god? Once animated and revered, can it ever be a mere painting again? How have shaman paintings been revalued as art;
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Past: Imaging and Imagining the Ancient Middle East (on exhibit February 7 through September 2, 2012). Picturing the Past presents paintings;
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, but focuses on what life was like for children, including where they lived, what they learned at school, and where they worked. The text;
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, but focuses on what life was like for children, including where they lived, what they learned at school, and where they worked. The text;
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, but focuses on what life was like for children, including where they lived, what they learned at school, and where they worked. The text;
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of the time period, but focuses on what life was like for children, including where they lived, what they learned at school, and where they;
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In his works on canvas created over the past twelve years, René Daniëls often returns to his paintings from the period before 1987. He;
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Millions of paintings were produced in the Dutch Republic. The works that we know and see in museums today constitute only the tip of the;
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paintings. The hardcover volume presents Biskup's work in its actual size, with an introduction by critically acclaimed illustrator and Emmy winner;
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that the dynamic energy of pre-Raphaelitism arose from paradoxes at its heart. Past and present, historicism and modernity, symbolism and;
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This catalogue illustrates the complete paintings featured in Damien Hirsts recent New York exhibition The Elusive Truth. Extended;
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and hopelessness) that distinguished between paintings created near the time of artists' suicides and their paintings created at a time;
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400 Years in 365 Days gives readers a fun, trivia-filled record which reflects the communities and peoples of Nova Scotia spanning the past;
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