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Neurosciences and Music IV

This volume stems from the conference The Neurosciences and Music IV: Learning and Memory held in Edinburgh, Scotland 9 12 June 2011;

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Neurosciences in Music Pedagogy

The theme of this book is how to transmit topical knowledge and recent findings in neurosciences to the needs of music educators. The;

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Left Hand Chords for Guitar, Mandolin, Ukulele and Banjo

Left Hand Chords for Guitar, Mandolin, Ukulele and Banjo contains chord fingering charts and a variety of other music charts for playing;

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The Neurosciences and Music II

The intricate relationships between music and human neurological makeup, as well as the ways in which music can influence neurological;

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Philosophy and the Neurosciences

philosophers with the necessary background to engage the neurosciences and offers neuroscientists an introduction to the relevant tools;

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Philosophy and the Neurosciences

philosophers with the necessary background to engage the neurosciences and offers neuroscientists an introduction to the relevant tools;

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Modeling in the Neurosciences

methods, this monograph represents a cohesive and comprehensive treatment of various aspects of the neurosciences from the biophysical, cellular;

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Laboratory Animals and Neurosciences

neurosciences today. However, any use of any biomodel must be based on the context of the three Rs (Refinement, Reduction and Replacement). The;

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Molecular Imaging in the Clinical Neurosciences

questions from the whole spectrum of cardiology, oncology, and the neurosciences, it was most notably the latter that provided completely new;

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Rethinking Interdisciplinarity across the Social Sciences and Neurosciences

This book offers a provocative account of interdisciplinary research across the neurosciences, social sciences and humanities. Rooting;

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Catalogue of the Pepys Library at Magdalene College, Cambridge IV

Pepys's music collection ranges from psalm-books to operas, includes treatises on the subject of musical theory and items of historical;

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Coming of Age

of essays originally presented at Ann Arbor Symposium IV, Teaching and Learning Popular Music, at the University of Michigan. Organized into four;

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Genesis of a Music

, Arabic, and Indian musics) and surveys the history of world music at length from this perspective. Parts II, III, and IV explain Partch's;

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Aesthetics and Neurosciences

spectrum of topics including, but not limited to, mathematics and creator algorithms, neurosciences of artistic creativity, paintings and dynamical;

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Neural Information Processing

; Part II: Theory and algorithms; human centred computing; AI and cybersecurity; Part III: Cognitive neurosciences; reliable, robust, and;

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Neural Information Processing

; Part II: Theory and algorithms; human centred computing; AI and cybersecurity; Part III: Cognitive neurosciences; reliable, robust, and;

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Neural Information Processing Part IV

and graph based clustering methods; computational intelligence; data mining; deep neural networks; computational and cognitive neurosciences;

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Conversations in the Cognitive Neurosciences

neurosciences by the scientists who are in the thick of things. Getting a fix on important questions and how to think about them from an experimental;

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Sounding Off

contains four essays concerning the much discussed issues of musical representation and musical meaning. Finally, Part IV consists of three;

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Igor Stravinsky

influential composers of the twentieth century. The chapters are organized in six sections (I. Roots and Routes; II. Music, Gestures, Bodies; III;

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Language and Music as Cognitive Systems

The past 15 years have witnessed an increasing interest in the comparative study of language and music as cognitive systems. Language and;

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