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Neoliberalism and Cyberpunk Science Fiction

of five chapters, Neoliberalism and Cyberpunk Science Fiction is guided by four central themes: biopolitics, intensification, resilience, and;

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Cyberpunk Women, Feminism and Science Fiction

This analysis of cyberpunk science fiction written between 1981 and 2003 positions women's cyberpunk in the larger cultural discussion;

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Fiction 2000

presented at the 1989 annual J. Lloyd Eaton Conference on Science Fiction and Fantasy Literature. They address concerns common not only to cyberpunk;

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Tokyo Cyberpunk

Engaging some of the most canonical and thought-provoking anime, manga, and science fiction films, Tokyo Cyberpunk offers insightful;

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The Spaces of Science Fiction and Cyberpunk

fiction is central. Since then, architectural elements have played an important role in the representation of scientific and technological;

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Science Fiction, Critical Frontiers

theoretical discussions of the nature of science fiction, with specific studies of utopian and dystopian narratives. Alongside of this, the essays;

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Cyberpunk and Visual Culture

forecast in science fiction, cyberpunk speaks to our contemporary moment and as a cultural formation dominates our 21st century techno-digital;

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Cyberpunk and Visual Culture

forecast in science fiction, cyberpunk speaks to our contemporary moment and as a cultural formation dominates our 21st century techno-digital;

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Science Fiction

, Golden Age, New Wave, Feminist and Cyberpunk science fictions, this is the essential contemporary guide to a major cultural movement.;

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Science Fiction

, Golden Age, New Wave, Feminist and Cyberpunk science fictions, this is the essential contemporary guide to a major cultural movement.;

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Beyond Cyberpunk

. Cyberpunk is no longer an emergent phenomenon, but in our digital age of CGI-driven entertainment, the information economy, and globalized capital;

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Cyberspace/Cyberbodies/Cyberpunk

productions; and cyberpunk science fiction as a pre-figurative social and cultural theory.;

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Cyberspace/Cyberbodies/Cyberpunk

productions; and cyberpunk science fiction as a pre-figurative social and cultural theory.;

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Science Fiction, New Space Opera, and Neoliberal Globalism

One of the few points critics and readers can agree upon when discussing the fiction popularly known as New Space Opera a recent subgenre;

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William Gibson

fiction novel, Neuromancer (1984), created the subgenre of Cyberpunk, and became the first novel to win the Hugo, Nebula, and Philip K. Dick;

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William Gibson and the Future of Contemporary Culture

that explores the significance and wide-ranging impact of Gibson's fiction. In the 1970s and 80s, Gibson, the 'Godfather of Cyberpunk;

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Science Fiction After 1900

century from the dime store novel through the New Wave of the '60s, the cyberpunk '80s, and soft agenda SF of the '90s. The writers he examines;

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Welcome to the Interzone

The 1980s saw the emergence of cyberpunk, that third wave in science fiction, and of radical constructivism. This interdisciplinary;

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Understanding Contemporary American Science Fiction

contributions of female, African American, and gay and lesbian writers; and the emergence of such significant trends as hard science fiction, cyberpunk;

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Globalisierung in Cyberpunk mit dem Beispiel von Neuromancer

in den Kinos zu Bewundern war, zeugt von grossem Interesse und wachsender Popularitat gegenuber dem Cyberpunk-Genre, aus welchem die Filme;

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The Archive Incarnate

depictions in science fiction have developed dramatically since the 1950s. Ray Bradbury discusses archives in terms of books and television media;

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Matthew Fitt's But 'n' Ben A-Go-Go

Matthew Fitt's extraordinary science-fiction novel But n Ben A-Go-Go is a fast-paced cyberpunk thriller. Like many SF novels it is a;

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Gothic Romanced

exploration of generic boundaries, including gothic fiction, romantic poetry, literary pastiches, popular horror fiction, cyberpunk and science;

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