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Narration and Description in the French Realist Novel

This new study of the nineteenth-century French realist novel focuses on the difference, and fundamental incompatibility, between the;

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Realism, Form, and Representation in the Edwardian Novel

relationship between fictional representation and philosophical commitment. It asks how-or if-we can conceptualize realist novels when the objects;

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Vision and Character

As readers, we develop an impression of characters and their settings in a novel based on the author's description of their physical;

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Vision and Character

As readers, we develop an impression of characters and their settings in a novel based on the author's description of their physical;

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Cambridge Studies in French

This new study of the nineteenth-century French realist novel focuses on the difference, and fundamental incompatibility, between the;

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The Colonial Comedy

of the great novelists of the French realist and naturalist canon - Balzac, Flaubert, Zola, Maupassant - The Colonial Comedy reveals that the;

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Film Novelist

narration of a film novel can simply be lifted out and used as the description, dialogue, and voice - over narration for a script. The author has;

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The Documentary Imagination in Twentieth-Century French Literature

contests the widespread narrative that twentieth-century French literature abandons the realist enterprise, and argues that writers instead;

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Realist Vision

is. Peter Brooks takes a new look at the realist tradition and its intense interest in the visual. Discussing major English and French novels and;

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Approaches to Teaching Sand's Indiana

Indiana, George Sand's first solo novel, opens with the eponymous heroine brooding and bored in her husband's French countryside estate;

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Approaches to Teaching Sand's Indiana

Indiana, George Sand's first solo novel, opens with the eponymous heroine brooding and bored in her husband's French countryside estate;

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The Victorian Novel Dreams of the Real

that the real is inevitably, for the Victorian realist novel, an object of desire: what the novel seeks to capture and represent. A novel's;

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The Victorian Novel Dreams of the Real

that the real is inevitably, for the Victorian realist novel, an object of desire: what the novel seeks to capture and represent. A novel's;

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The Sentimental Education of the Novel

and Stendhal to the forgotten novelistic contexts of their time. Reconstructing a key formative period for the novel, she shows how realist;

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Feminist Realism at the Fin de Siecle

of traditional realism and anticipate the modernist aesthetic. By acknowledging the role of the woman&;s press in the development of the novel, this book;

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Unnatural Voices

innovative authors actually do with narration. Richardson identifies the wide range of unusual narrators, acts of narration, and dramas with the;

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Oral Narration in Modern French

This book introduces 'performed' oral storytelling into the debate, using data from traditional and contemporary storytellers in French to;

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Oral Narration in Modern French

This book introduces 'performed' oral storytelling into the debate, using data from traditional and contemporary storytellers in French to;

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Narrating the City

In recent decades, the insight that narration shapes our perception of reality has inspired and influenced the most innovative historical;

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Critical Essays on Michel Butor's L'Emploi du temps

Michel Butor, one of the earliest exponents of the French New Novel, is known for experimenting with narrative voice (the second-person;

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Neoclassical Realism and Defence Reform in Post-Cold War Europe

Dyson explains the convergence and divergence between British, French and German defence reforms in the post-Cold War era. He engages with;

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Neoclassical Realism and Defence Reform in Post Cold War Europe

Dyson explains the convergence and divergence between British, French and German defence reforms in the post-Cold War era. He engages with;

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Proust, Beckett, and Narration

, and The Unnamable, James H. Reid compares the two novelists' use of first-person narration in constructing and demystifying fictions;

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Proust, Beckett, and Narration

, and The Unnamable, James H. Reid compares the two novelists' use of first-person narration in constructing and demystifying fictions;

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The Divine in the Commonplace

natural history and how it conceives observation and description as a kind of devotion or act of reverence. Focusing on the texts of popular;

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The Divine in the Commonplace

natural history and how it conceives observation and description as a kind of devotion or act of reverence. Focusing on the texts of popular;

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Realist Texts and Texts of Implied Sense

There have been many books published which have been devoted to the interface of language and literary studies. This book is presentation;

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