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Multisensory Film Experience - A Cognitive Model of Experiental Film Aesthetics

gateway to a multisensory experience. Moving beyond the oft-discussed perceptual elements of vision and hearing, The Multisensory Film Experience;

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The Cognitive Semiotics of Film

is unproductive. Examining and developing the work of 'cognitive film semiotics', a neglected branch of film theory that combines the insights;

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Cognitive Semiotics Of Film

is unproductive. Examining and developing the work of 'cognitive film semiotics', a neglected branch of film theory that combines the insights;

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Migrant Form

in Ulysses and Finnegans Wake to propose a formal model for postcolonialism. It also draws on that exercise to consider how Rushdie extends a play;

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Cuban Film Media Late Socialism and the Public Sphere

scarcity as well as political uncertainty is expressed aesthetically in films from the period following the collapse of the Soviet Union, a;

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Playing the Waves

, that has guided the conception and production of all of his films. The launching of Dogma95 and the infamous Dogma Manifesto was a game; Von;

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Aesthetics of Film Production

filmmakers can take a screenplay and translate that into a powerful film.;

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Wittgenstein at the Movies

lively interest of Wittgenstein scholars, film theorists, and students of film aesthetics. As well, the book engages a broader audience concerned;

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An Introduction to Film

This text introduces students to the major aspects of film aesthetics, criticism, and history, while emphasizing the relationship between;

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American and Chinese-Language Cinemas

. This unidirectional model of interaction does not address, however, the counter-flows of Chinese-language films into the American film market;

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Multimedia and Virtual Reality

model, and explains how the models can be applied to predict the design features necessary for successful interaction; *provides a design;

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Multimedia and Virtual Reality

model, and explains how the models can be applied to predict the design features necessary for successful interaction; *provides a design;

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Australian Cinema in the 1990s

This study is a collection of critical and scholarly analyses of the organisation of the Australian Film Industry since 1990. Particular;

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Australian Cinema in the 1990s

This study is a collection of critical and scholarly analyses of the organisation of the Australian Film Industry since 1990. Particular;

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Ein Filmphilosophie-Symposium mit Robert B. Pippin

Robert B. Pippin played a major role in shaping film philosophy as a special theme of aesthetics. This volume combines an essay by;

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Film Structure and the Emotion System

effort to provide a more nuanced understanding of how film evokes emotion. Analysing a variety and range of films, including Casablanca and;

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Film Structure and the Emotion System

effort to provide a more nuanced understanding of how film evokes emotion. Analysing a variety and range of films, including Casablanca and;

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Front Lines of Community

crisis of democracy during the Second World War by creating a new genre - the war film. Developing an affective theory of genre cinema, the;

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Cognitive Media Theory

volume will be of interest not only to students and scholars of film and media, but to anyone interested in the possibility of a productive;

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Embodied Cognition and Cinema

on the scientific study of film. A team of scholars analyse the main aspects of film (narrative, style, music, sound, time, the viewer;

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Philosophical Problems of Classical Film Theory

philosopher and a film scholar to bear on its chief tenets. Using Rudolf Arnheim, Andre Bazin, and V. F. Perkins as representatives of major types;

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Brown on Brown

/lesbian sexuality intersect and operate in Chicanoa literature and film while taking into full account their imaginative nature and therefore the;

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Thinking Media Aesthetics

Thinking Media Aesthetics. Media Studies, Film Studies and the Arts brings together contributions from different disciplines from both;

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The Film Handbook

' will best aid student creativity. The Film Handbook offers practical guidance on a range of traditional and independent 'guerrilla' film;

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The Film Handbook

' will best aid student creativity. The Film Handbook offers practical guidance on a range of traditional and independent 'guerrilla' film;

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Horror

audiences everywhere, but also seen as a malign influence by others. In this Routledge Film Guidebook, audience researcher and film scholar;

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Filmnarratologie

and presents for the first time a systematic and theoretically coherent model of narratological film analysis. The practical and scholarly use;

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