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Mime, Music And Drama On The Eighteenth-Century Stage

of dance, mime and music, its overall and overriding intention was to create drama. It was danced drama rather than dramatic dance, musical drama;

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Green Apple

The Green Apple drama titles are versions of Shakespeare's plays in comic-strip form and include music and mime activities.;

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Green Apple

The Green Apple drama titles are versions of Shakespeare's plays in comic-strip form and include music and mime activities.;

Vergelijkbare producten zoals Green Apple

Green Apple

The Green Apple drama titles are versions of Shakespeare's plays in comic-strip form and include music and mime activities.;

Vergelijkbare producten zoals Green Apple

Green Apple

The Green Apple drama titles are versions of Shakespeare's plays in comic-strip form and include music and mime activities.;

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Empire on the English Stage 1660-1714

Contesting the argument that Restoration and early eighteenth-century drama referred almost exclusively to domestic social and political;

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Empire on the English Stage 1660 1714

Contesting the argument that Restoration and early eighteenth-century drama referred almost exclusively to domestic social and political;

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Mime

An introduction to mime and stage movement for the professional the student, and the aspiring amateur in theatre or dance.;

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A Critical Introduction to Twentieth-Century American Drama

In this, the third and final volume of his critical account of American drama in the twentieth century, Christopher Bigsby turns from the;

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Ombra

: Supernatural Music in the Eighteenth Century explores the large repertoire of such music, focusing on the eighteenth century and Mozart in particular;

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Ombra

: Supernatural Music in the Eighteenth Century explores the large repertoire of such music, focusing on the eighteenth century and Mozart in particular;

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Staging Blackness and Performing Whiteness in Eighteenth-Century German Drama

Focusing on eighteenth-century cultural productions, Wendy Sutherland examines how representations of race in philosophy, anthropology;

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Inspired Drama Teaching

; activities for making use of stimuli, such as scripts and music; ideas for incorporating the elements of drama, such as rhythm and characterisation;

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Anthology for Music in the Eighteenth Century

Anthology for Music in the Eighteenth Century, part of the Western Music in Context series, is the ideal companion to Music in the;

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Dutch Mime

This is the first full-length monograph on the history of Dutch mime. Dutch mime is a vibrant and innovatory branch;

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Towards the Creative Teaching of English

solving, group work, music and song - all classroom tested and ready for use in teaching English, no matter the level. The exercises are designed;

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Etienne Decroux and His Theatre Laboratory

twentieth century: Mimo e teatro nel Novecento (1993). Now revised and updated, the volume focuses specifically on the seminal role played by French;

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Stage Mothers

Stage Mothers explores the connections between motherhood and the theater both on and off stage throughout the long eighteenth century;

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Transatlantic Engagements with the British Eighteenth Century

Engagements with the British Eighteenth Century is thus a reconsideration of eighteenth-century literature, art, and drama. However, because these;

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Transatlantic Engagements with the British Eighteenth Century

Engagements with the British Eighteenth Century is thus a reconsideration of eighteenth-century literature, art, and drama. However, because these;

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The Gothic Novel and the Stage

In this ground-breaking study Francesca Saggini explores the relationship between the late eighteenth-century novel and the theatre;

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New World Drama

In New World Drama, Elizabeth Maddock Dillon turns to the riotous scene of theatre in the eighteenth-century Atlantic world to explore the;

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Volume 5, Tome III

covers the sources that are relevant for literature, drama and music. Kierkegaard was well read in the European literature of the seventeenth and;

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Volume 5, Tome III

covers the sources that are relevant for literature, drama and music. Kierkegaard was well read in the European literature of the seventeenth and;

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Aztecs on Stage

eighteenth-century Nahuatl plays. All are based on European dramatic traditions, such as the morality and passion plays; indigenous actors played the;

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Ancient Drama In Music For The Modern Stage

Opera was invented at the end of the sixteenth century in imitation of the supposed style of delivery of ancient Greek tragedy, and, since;

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The Politics and Reception of Rabindranath Tagore"s Drama

position in the Indian theatrescape. Tagore experimented with dance, music, dance drama, and plays, exploring concepts of environment, education;

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