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Metaphysics and Music in Adorno and Heidegger

Metaphysics and Music in Adorno and Heidegger explains how two notoriously opposed German philosophers share a rethinking of the;

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Modern European Philosophy

key philosophical approaches to music ranging from Kant, through the German Romantics and Wagner, to Wittgenstein, Heidegger and Adorno. He;

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Modern European Philosophy

key philosophical approaches to music ranging from Kant, through the German Romantics and Wagner, to Wittgenstein, Heidegger and Adorno. He;

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What Would Be Different Figures of Possibility in Adorno

better society grow? At the intersection of metaphysics and social theory, What Would Be Different looks to Theodor W. Adorno to reflect on the;

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Thinking After Heidegger

think. But what if we read Heidegger with the same respectful irreverence that he brought to reading the Greeks, Kant, Hegel, Husserl and the;

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Thinking After Heidegger

think. But what if we read Heidegger with the same respectful irreverence that he brought to reading the Greeks, Kant, Hegel, Husserl and the;

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Metaphysics

by a central tension between concepts and immediate facts. Adorno traces this dualism back to Aristotle, whom he sees as the founder;

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Metaphysics

by a central tension between concepts and immediate facts. Adorno traces this dualism back to Aristotle, whom he sees as the founder;

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Question Of Being

interpretation of metaphysics that opposes the traditional doctrines attacked by Heidegger, on the one hand, and by contemporary philosophers influenced;

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What Would Be Different

better society grow? At the intersection of metaphysics and social theory, What Would Be Different looks to Theodor W. Adorno to reflect on the;

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Adorno and Heidegger

Adorno and Heidegger explores the conflictual history of two important traditions of twentieth-century European thought: the critical;

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The Question of Being

/>presents an interpretation of metaphysics that opposes the traditional doctrines attacked by Heidegger and by contemporary philosophers;

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Metaphysics and Oppression

. But Heidegger himself did not see how his conception of metaphysics opened doors to challenge the domination encoded in structures and;

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Identity and Difference

Martin Heidegger, The Principle of Identity and The Onto-theo-logical Constitution of Metaphysics. Both lectures discuss the problem of identity;

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Quasi Una Fantasia Essays Modern Music

hierarchies of the auditorium. Especially significant is Adorno's dialectical portrait of Stravinsky, in which Adorno both reconsiders and refines;

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Ontology and Dialectics

latter's magnum opus Being and Time, and long before his notorious endorsement of Nazism at Freiburg University, both Adorno and Benjamin;

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Ontology and Dialectics

latter's magnum opus Being and Time, and long before his notorious endorsement of Nazism at Freiburg University, both Adorno and Benjamin;

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Questioning Martin Heidegger

In Questioning Martin Heidegger, Martin Heidegger's Overcoming Metaphysics provides the jumping-off point for a wide-ranging critique and;

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Memory Of Thought

A reconstruction of aspects of the philosophy of Adorno and Heidegger. This title reconstructs the philosophy of Adorno and Heidegger;

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After Adorno

Theodor W. Adorno placed music at the centre of his critique of modernity and broached some of the most important questions about the role;

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Philosophy of Music

, philosophy of language, psychology, anthropology, and scientific developments that have influenced the philosophical explanations of music. Starting;

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Heidegger and Ethics

Heidegger and ethics is a contentious conjunction of terms. Martin Heidegger himself rejected the notion of ethics, while his endorsement;

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Heidegger and Ethics

Heidegger and ethics is a contentious conjunction of terms. Martin Heidegger himself rejected the notion of ethics, while his endorsement;

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Heidegger on Being and Acting

. . . elegant and provocative . . . Exhibit[s] a subtle mastery of Heidegger's works. -Review of Metaphysics . . . splendidly precise;

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Descartes To Derrida

, Kant, Hegel, Nietzsche, Adorno and Horkheimer, Heidegger, Deleuze and Guatarri, Levinas, Derrida, Althusser, Foucault and Lyotard. This;

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Negative Dialectics

The major work and Adorno's culminating achievement. Negative Dialectics is a critique of the philosophies of Kant, Hegel, and Heidegger;

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Night Music

philosopher and musicologist Adorno-Moments musicaux, containing essays written between 1928 and 1962, and Theory of New Music, a group of texts;

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