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Metaphoricity of Conventionalized Diegetic Images in Comics

. It implements this approach in an exploration of conventionalized visual signs depicting diegetic situations, motion events, sound events;

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A Constructional Approach to Resultatives

of resultative constructions in English by grouping them in two classes: conventionalized and non-conventionalized. The usage-based model employed here;

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Creating Comics

demonstrating the eclectic possibilities of the form. Creating Comic covers: * Using images to conceive and develop characters and stories;

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Creating Comics

demonstrating the eclectic possibilities of the form. Creating Comic covers: * Using images to conceive and develop characters and stories;

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Die Shoah Im Comic Seit 2000: Erinnern Zeichnen

their memory in panels, images and speech bubbles? This study offers an original theory of comics as a medium of c;

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Visible Cities, Global Comics

, gentrification, the mystery story, science fiction, sexual orientation, and working-class labor. He leads readers to images of such cities as Barcelona;

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Redrawing French Empire in Comics

due to the post-1968 growth of an adult comics production and market. For example, the appearance of erotic and exotic, feminized images;

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Graphic Novels and Comics in the Classroom

Sequential art combines the visual and the narrative in a way that readers have to interpret the images with the writing. Comics make a;

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The Visual Narrative Reader

Sequential images are as natural at conveying narratives as verbal language, and have appeared throughout human history, from cave;

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American Comics

Starting with the Civil War and cartoonist Thomas Nast, creator of the lasting images of Uncle Sam and Santa Claus, author Jeremy Dauber;

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Visual Language Of Comics

Drawings and sequential images are an integral part of human expression dating back at least as far as cave paintings, and in contemporary;

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Episierung im Drama

diegetic levels (stage diegesis and free diegesis) as well as the narrative authority of the drama (dramatic author;

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Addiction, Representation and the Experimental Novel, 1985-2015

compassionate response to both diegetic and extra-diegetic addicts—an approach that, at its core, is focused on understanding. ;

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DK Readers L2

>This Reader features high-quality images from the Marvel comics. Packed with evil enemies and fearsome foes from the Marvel Comics;

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Wrestling Literacy. the Diegetic World of World Wrestling Entertainment

globally and nationally in the US. The author depicts the diegetic world of the WWE as a genre of its own, a genre that requires expertise from the;

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Perspectives on Digital Comics

One of the first edited collections devoted exclusively to digital comics, Perspectives on Digital C;...

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The Aesthetics of Comics

other mass-culture images to that of Old Master visual art. The meaning behind the comic can be immediately grasped by the average reader;

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Critical Directions in Comics Studies

Contributions by Paul Fisher Davies, Lisa DeTora, Yasemin J. Erden, Adam Gearey, Thomas Giddens, Pet;...

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Critical Directions in Comics Studies

Contributions by Paul Fisher Davies, Lisa DeTora, Yasemin J. Erden, Adam Gearey, Thomas Giddens, Pet;...

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Philosophy of Comics

What exactly are comics? Can they be art, literature, or even pornography? How should we understand ;...

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The Comics World

Contributions by Bart Beaty, T. Keith Edmunds, Eike Exner, Christopher J. Galdieri, Ivan Lima Gomes,;...

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The Comics World

Contributions by Bart Beaty, T. Keith Edmunds, Eike Exner, Christopher J. Galdieri, Ivan Lima Gomes,;...

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Who Understands Comics Questioning the Universality of Visual Language Comprehension

**Nominated for the 2021 Eisner Award for Best Academic/Scholarly Work** Drawings and sequential images are so pervasive in contemporary;

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Studies in European Comics and Graphic Novels - Sugar, Spice, and the Not So Nice

Girls, gender and identity in comicsSugar, Spice, and the Not So Nice offers an innovati;...

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Girls and Their Comics

This book discusses the overall history of the comic book, paying special attention to girls' comics;...

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Graphic Justice

concepts and institutions alone, but also by narratives, stories, fantasies, images, and other cultural articulations of human meaning. Engaging;

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Graphic Justice

concepts and institutions alone, but also by narratives, stories, fantasies, images, and other cultural articulations of human meaning. Engaging;

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