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Manet, Wagner, and the Musical Culture of Their Time

to the study of Edouard Manet and music, art historian Therese Dolan demonstrates that the 1862 painting Music in the Tuileries represents;

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Radical Thinkers In Search Of Wagner

Written in exile from Germany, this potent study of Europe's most controversial composer explodes the frontiers of musical and cultural;

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Olympia

. The central character is Manet with an awe-inspiring supporting cast of Napoleon III, Empress Eugénie, Wagner, Flaubert, Bismarck, Offenbach;

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Romantic Overture and Musical Form from Rossini to Wagner

within the context of mid-nineteenth century musical culture and an analytical study that focuses on aspects of large-scale formal organization;

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Opera and Drama

and Drama outlines a new, revolutionary type of musical stage work, which would finally materialize as The Ring of the Nibelung. Wagner's;

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Richard Wagner for the New Millennium

to you within 12 weeks. A central concern of this study is the relationship between Wagner the artist and Wagner the social phenomenon. Many;

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Symbols that Stand for Themselves

This important new work by Roy Wagner is about the autonomy of symbols and their role in creating culture. Its argument, anticipated in the;

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Necessity of Music

twentieth-centuries. Rather than focus on familiar stories of composers and their work Applegate illuminates the myriad ways in which music;

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Musical Debate and Political Culture in France, 1700-1830

in the last years of Louis XIV to the 1820s when the new musical challenges of Berlioz and Wagner put an end to this particular form of debate;

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Chasing Manet

two plot an escape to Paris aboard the QE2. But can they possibly pull it off amidst the chaos of their surroundings? The tension and comedy;

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Musical Elaborations

Filling a significant gap in contemporary cultural studies, Musical Elaborations examines the intersection of the public and private;

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MUSICAL ELABORATIONS

Filling a significant gap in contemporary cultural studies, Musical Elaborations examines the intersection of the public and private;

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Music

the development of musical styles but also how musical notation developed, how the ear functions and how musical instruments produce the;

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Richard Wagner

New York College of Music and the Institute of Musical Art. Taking up the cause of Wagner with considerable understanding, he published this;

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Locos por la musica / Crazy about Music

Looks at the childhood, youth, and early musical development of several great composers, including Bach, Beethoven, Wagner, Gershwin, and;

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Audiovisual Media and Music Culture

, they affect musical behavior, music taste and aesthetic ideals of the society. The power of film, television and other media is based on the;

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Richard Wagner And The Music Of The Future

Francis Hueffer (1843-1889) was music critic for The Times from 1878 to 1889 and was also secretary of the Wagner Society founded in 1873;

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Wissende Des Unbewussten

this question in the Romantic notion of the unconscious. Wagner grappled with the unconscious in his libretti, scores, and writings, thereby;

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Nietzsche & Wagner - A Lesson in Subjugation

admiration - dominated by the bullying Wagner - and erotic jealousy, until the composer's death in 1883 and the philosopher's own descent into;

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The Invention of Culture

from a variety of everchanging codes to create new meanings. Wagner sees culture arising from the dialectic between the individual and the;

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Nietzsche, Wagner, Europe

. Nietzsche, Wagner, Europe analyzes the development of Friedrich Nietzsche's ideal of European culture based on his musical aesthetics. It does so;

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Musical Theater and American Culture

Though there have been many histories of the theater and specifically the theatrical musical, none has done quite what Musical Theater and;

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Speaking of Wagner

Berger’s collection of talks and presentations about Richard Wagner, the most controversial, and perhaps the most widely influential, artist;

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An Anthropology of the Subject

adventurous anthropologists. Roy Wagner, having turned ''culture'' and ''symbols'' inside out (in The Invention of Culture and Symbols That Stand for;

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An Anthropology of the Subject

adventurous anthropologists. Roy Wagner, having turned culture and symbols inside out (in The Invention of Culture and Symbols That Stand for;

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Opera and Modern Culture - Wagner and Strauss

of much recent writing in treating opera as a multimedia rather than a primarily musical form. From Lohengrin and The Ring of the Niebelung to;

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The Rhinegold

naive and picturesque than the others. But it immediately establishes the huge scale of the overall work, and the extraordinary musical language;

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