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as well, Vlada Petric then analyzes in detail the most important silent film produced during this era, Dziga Vertov's The Man with the Movie;
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Filmmakers in the early decades of the Soviet Union sought to create a cinematic map of the new state by portraying its land and peoples on;
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While modernism's engagement with the occult has been approached by critics as the result of a loss of faith in representation, an attempt;
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films and writings of the Russian director, Dziga Vertov. The theoretical basis of the work harkens back to the time when a group of Russian;
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a new philosophy of media that ties political economy to the politics of aesthetics. Through his concept of machines that crystallize time;
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a new philosophy of media that ties political economy to the politics of aesthetics. Through his concept of machines that crystallize time;
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. Combining an analysis of cinema technology with a sensitive consideration of film aesthetics, The Cinematic Footprint offers a new perspective on;
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movements and various production contexts from the mainstream to the avant-garde. Seth Feldman places Dziga Vertov's Man with a Movie Camera (1929;
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