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perhaps the majority of ecclesiastical art in the country. The essays in this book provide analysis of the intellectual and religious motivation;
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assumption that the new methods of cultural production have rendered iconoclasm obsolete, and sets out to show how the destruction of art is a;
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exhibiting a disinterest and distrust in art. Kelly calls such disinterest and distrust 'iconoclasm', and in this book he discusses four philosophers;
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social functions and theological significance of classical artistic forms in Byzantine art after iconoclasm; the association between rhetoric and;
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social functions and theological significance of classical artistic forms in Byzantine art after iconoclasm; the association between rhetoric and;
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Carolingians made distinctive and original contributions to the whole debate over religious art. Images, Iconoclasm, and the Carolingians is the;
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This work examines the relationship between iconoclasm and theatrical activity in England during the second half of the sixteenth century;
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-disciplinary debate amongst the contributors informed Tate Britain's 'Art under Attack' exhibition (2013) and addresses the challenges iconoclasm;
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-disciplinary debate amongst the contributors informed Tate Britain's 'Art under Attack' exhibition (2013) and addresses the challenges iconoclasm;
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Iconoclasm and the Museum addresses the museum's historic tendency to be silent about destruction through an exploration of institutional;
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Iconoclasm, the debate about the legitimacy of religious art that began in Byzantium around 730 and continued for nearly 120 years, has;
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Iconoclasm, the debate about the legitimacy of religious art that began in Byzantium around 720 and continued for nearly one hundred and;
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Iconoclasm, the debate about the legitimacy of religious art that began in Byzantium around 720 and continued for nearly one hundred and;
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Age art and lends greater depth to our understanding of iconoclasm, as well as the way in which cultural artifacts and religious material;
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Figure and Likeness presents a thought-provoking new account of Byzantine iconoclasm - the fundamental crisis in Christian visual;
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Iconoclasm, or the destruction of images and other symbols, is a subject that has significant resonance today. Traditionally focusing on;
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Iconoclasm, or the destruction of images and other symbols, is a subject that has significant resonance today. Traditionally focusing on;
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of the meaning of acts of iconoclasm: what they tell us about the role of images in Christianity and about ordinary people's theologies. Its;
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of the meaning of acts of iconoclasm: what they tell us about the role of images in Christianity and about ordinary people's theologies. Its;
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such areas as film adaptations, remakes, ekphrasis, photography and the novel, feminist rewritings, acts of iconoclasm in postcolonial drama;
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The eighth in the Oriental Institute Seminar Series, this volume contains papers that emerged from the seminar Iconoclasm and Text;
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damage. But damage can also be invisible, and the actions of iconoclasm can be subtle and varying. Iconoclastic acts include the addition;
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damage. But damage can also be invisible, and the actions of iconoclasm can be subtle and varying. Iconoclastic acts include the addition;
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' or 'incomplete' mean for dramatists and their audiences in this period? Making and unmaking in early modern English drama is about the;
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their power, this book rethinks the meaning of both iconoclasm and child's play then and now.;
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