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Ibsen and Chekov on the Irish Stage

Ibsen and Chekhov on the Irish Stage presents articles on the theories of translation and adaptation, new insights on the work of Brian;

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The Power of the Playwright's Vision

examined include Anton Chekov, George Bernard Shaw and Henrik Ibsen. The author describes what their techniques are and how they can be put to use.;

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Ibsen and the Irish Revival

Ibsen and the Irish Revival examines Henrik Ibsen's influence on the Irish Revival and the reception of his plays in turn-of-the-twentieth;

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Owen Mccafferty: Plays 1

. Shoot The Crow 'Tragicomedy of character and circumstance that makes McCafferty look like a ribald Northern Irish Chekov.' Guardian. Scenes;

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Ibsen

connections between his dramatic practice and his plays' powerful impact on audience and culture. Michael Goldman examines how the play attacks us;

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Henrik Ibsen and the Birth of Modernism

on writers such Shaw, Wilde, and Joyce who were seeking to escape the shackles of Victorianism. Henrik Ibsen and the Birth of Modernism;

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Ibsen's Lively Art

of creative responses on the part of actors, directors, and stage designers. All agree that a deeper meaning underlies the 'reality' Ibsen represents;

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A Critical History of Modern Irish Drama 1891-1980

in Dublin and the Group, Arts and Lyric Theatres in Belfast. The main focus of the book is on the dramatists. At appropriate chronological points;

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The Seagull

The Seagull centers on the unsuccessful playwright Konstantin and his actress girlfriend Nina. When Nina falls in love with the successful;

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The Cambridge Companion to Ibsen

on the international stage and his challenge to theatre and film directors and playwrights today. Essential reference materials include a;

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In the Midst of Winter

A collection of poetry and prose on the theme of death is designed to ease the grief of the bereaved and includes works by such writers as;

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The Sea-Gull

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Readings on A Doll's House

Collects critical interpretations of the Ibsen play on such themes as women in Ibsen, Nora, money and independence, and the Victorian;

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A Dolls House

craft which, for the first time portrayed the tragic hypocrisy of Victorian middle class marriage on stage. The play ushered in a new social era;

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Theatre and Evolution from Ibsen to Beckett

cast suspicion on the arguments of evolutionary theory and rejected its claims, even as they entertained its thrilling possibilities. Engaging;

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Doll'S House

professionals to show how the plays come to life on the stage. Director Stephen Unwin takes you scene by scene through the action of Ibsen's play;

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Contemporary Irish Literature

work appearing on the Irish stage. An Introduction to Contemporary Irish Literature is the most comprehensive and accessible volume on this;

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Text and Supertext in Ibsen's Drama

constitutes one of the major works of the European imagination, comparable in scale to Goethe or Dante. And he has shown Ibsen to be the heir to;

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Dance and Modernism in Irish and German Literature and Culture

transgression of medial and disciplinary boundaries as well as gender, social, or cultural differences. Part 1 of the collection focuses on Irish-German;

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Ibsen on Theatre

thoughts on the art form can be gleaned by mining his prefaces, letters, speeches and newspaper articles. For the first time, these fragments;

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Uncle Vanya

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The Romance of the Irish Stage; With Pictures of the Irish Capital in the Eighteenth Century

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Ibsen and the Theatre

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'Twas Only an Irishman's Dream

. Negotiations about the image of the Irish and Irish Americans involved Irish songwriters, performers, and pressured groups on one side, and non-Irish;

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The Great Irish Famine and Social Class

catastrophe on Ireland's economy (including its relations with Britain) and investigating topics such as the suffering of the rural classes, landlord;

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Three Plays About Ibsen and Strindberg

Michael Meyer is widely regarded as the leading authority on Ibsen and as one of the leading authorities on Strindberg. The three short;

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Women in Irish Drama: A Century of Authorship and Representation

investigate the broader cultural, political and historical implications of representing 'woman' on the stage. In addition, a number of essays engage;

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