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Greek Vase-Painting and the Origins of Visual Humour

with the anthropology of humour, and thereby establishing new ways of looking at art and visual humour in particular. Understanding what visual;

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Greek Vase-Painting and the Origins of Visual Humour

with the anthropology of humour, and thereby establishing new ways of looking at art and visual humour in particular. Understanding what visual;

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The Art of Vase-Painting in Classical Athens

major contribution to the history of Greek vase-painting and anyone seriously interested in the subject - whether scholar, student, curator;

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Greek Art And Archaeology

text is accessible to introductory-level students. The major categories of Greek Art and architecture- including sculpture, vase painting, wall;

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Epigraphy of Art

Ancient Greek vase-paintings offer broad-ranging and unprecedented early perspectives on the often intricate interplay of images and texts;

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A Catalogue of Greek Vases in the Fitzwilliam Museum Cambridge

more especially the student in observing the history and technique of Greek vase-painting'. The text contains illustrations of every vase;

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Images of Ancient Greek Pederasty

, and the symposium. The book also incorporates a comprehensive catalogue of relevant vase-paintings, compiled by noted archaeologist Keith;

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Medieval Mischief

The art and architecture of the Middle Ages teem with humour. From the painting of a poacher roasted over a spit by a rabbit to an image;

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Introductory Studies In Greek Art

archaeology at the British Museum under Sir Charles Newton and writing and lecturing on the subject of Greek vase painting. In her preface to the book;

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The Image of the Artist in Archaic and Classical Greece

subjectivity, first expressed in Athenian vase-painting of the sixth century BCE and intensively explored by Euphronios, developed alongside a self;

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The Imagery of the Athenian Symposium

The late sixth and early fifth centuries BC were a dynamic time in the history of the symposium, and hundreds of vase paintings from this;

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Greek Tragedy in the Light of Vase Paintings

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Nature, Culture, and the Origins of Greek Comedy

sixth-century vase-paintings of men costumed as cocks, bulls and horses indicated that comedies were only the last phase of a longer tradition;

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Nature, Culture, and the Origins of Greek Comedy

sixth-century vase-paintings of men costumed as cocks, bulls and horses indicated that comedies were only the last phase of a longer tradition;

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Theater Outside Athens

mythological themes in performance texts and theatrical vase-painting; and the reflection and analysis of Sicilian and South Italian theater in the;

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Theater Outside Athens

mythological themes in performance texts and theatrical vase-painting; and the reflection and analysis of Sicilian and South Italian theater in the;

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Adonis, his representations in South Italian Vase-painting

Adonis, the beautiful youth, born of the myrrh tree, loved by both Aphrodite and Persephone, hardly needs any introduction. His legend;

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Mondrian's Philosophy of Visual Rhythm

convention for the cognition of the surface of painting as visual rhythm. Mondrian's simultaneous emphasis on the static and the rhythmic;

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Signs of Orality

), descriptive strategies, ring-composition, and the status of orality as a constitutive feature of the epics. These are followed by virtually;

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The Light of the Gods

This book examines the use and significance of light in ancient Greek cult of the Archaic and Classical periods (from the seventh to the;

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Art And Myth In Ancient Greece

is to visual sources that we have to turn for much of our knowledge of the myths. Vase paintings, engraved gems and sculpture in bronze and and;

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Metropolitan Museum Journal, Volume 50, 2015

hellenistic dwarf; identification of the origins of Kizil paintings in the Metropolitan Museum; The Story of the Mercury and Herse tapestries and Gian;

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Tracking Hermes, Pursuing Mercury

drama), epigraphy, cult, and religion, to vase painting and sculpture. In offering an overview of the myriad aspects of Hermes/Mercury-including;

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The Sea Of Gods, Heroes and Men in Ancient Greek Art (parallel text, English/Greek)

particularly those inspired by mythology. Thanks to the variety of shapes and decorated surfaces found in vases, the art of pottery developed a more;

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Interpretatio Rerum

of Ajax'' and the Problem of Socio-Political Symbolism in Greek Vase-Painting (Joseph J. Basile); Mortal and Divine Performances;

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Approaches to Greek Myth

interpretations; and Christiane Sourvinou-Inwood, on the iconography of vase paintings of Theseus and Medea-and on a methodology for reading such visual;

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Regional Production of Red-Figure Pottery

western Meional Greece and in the western Mediterranean, propelled by the impact of the art of Attic vase-painting. This collection of papers;

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