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Gender, Theatre, and the Origins of Criticism

In Gender, Theatre and the Origins of Criticism, Marcie Frank explores the theoretical and literary legacy of John Dryden to a number;

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Gender, Theatre, and the Origins of Criticism

In Gender, Theatre and the Origins of Criticism, Marcie Frank explores the theoretical and literary legacy of John Dryden to a number;

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Theatre Criticism

is nothing compared to the wider argument about what the critic's role should be - Objective judge? Consumer guide? Provocateur? - and whether or not;

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The Origins of English Revenge Tragedy

Charting a new course between performance studies and literary criticism, this book explores how recognition of the dramatic person;

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Routledge Revivals: Shakespeare and Feminist Criticism (1991): An Annotated Bibliography and Commentary

views on and representation of women, sex and gender. Accompanying the 439 entries are extensive, informative annotations that strive to;

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Modern Irish Theatre

, the Troubles, and the social effects of the Celtic Tiger economy; Critical Methodologies: how postcolonial, diaspora, performance, gender, and;

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Modern Irish Theatre

, the Troubles, and the social effects of the Celtic Tiger economy; Critical Methodologies: how postcolonial, diaspora, performance, gender, and;

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The Changing Room

-Tibet * the gender-bending elements of Greek and early Christian religion * the homosexual appeal of the boy actor on the traditional stage;

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The Changing Room

-Tibet * the gender-bending elements of Greek and early Christian religion * the homosexual appeal of the boy actor on the traditional stage;

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Reading the Renaissance (Routledge Revivals): Culture, Poetics, and Drama

boundaries between genre and gender, languages and literatures, reading and criticism, the Renaissance and the medieval, the early modern and the;

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Reading the Renaissance (Routledge Revivals): Culture, Poetics, and Drama

boundaries between genre and gender, languages and literatures, reading and criticism, the Renaissance and the medieval, the early modern and the;

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Performing the Body in Irish Theatre

is performed, incorporating issues of gender and embodiment, and the performance of Irishness and tradition. The author contextualizes the body;

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New Theatre Quarterly 61

studies need a methodology, and that theatre criticism needs a language. The journal publishes news, analysis and debate within the field;

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Theatre Journal 1960-1974

Writing theatre criticism for The Village Voice from 1957 to 1974, Michael Smith lucked into an extraordinarily dynamic period in American;

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American Avant-Garde Theatre

early 1950s to the 1990s. American Avant-Garde Theatre offers a definition of the avant-garde, and looks at its origins and theoretical;

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Essential Theatre

appreciate theatre as an audience member, The Essential Theatre, International Edition is a welcome and helpful resource. Written by highly;

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New Theatre Quarterly 49

studies need a methodology, and that theatre criticism needs a language. The journal publishes news, analysis and debate within the field;

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Drama Criticism

This volume present important studies in dramatic and theatre criticism as developed in the English-speaking world since the late;

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A Shakespeare Reader

A Shakespeare Reader: Sources and Criticism provides a rich collection of critical and secondary material selected to assist in the study;

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Impersonations

the starting point of a fresh and stimulating exploration of the representation of gender in Elizabethan drama and society. Why were boys used;

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The Language Of Theatre

Theatre has provided many words and meanings which we use--ignorant of their origins--in everyday writing and speech. This is the first;

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The Classic Fairy Tales

tale types: Little Red Riding Hood, Beauty and the Beast, Snow White, Cinderella, Bluebeard, and Hansel and Gretel, and presents multicultural;

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The Cambridge History of American Theatre

of relevant developments in literary criticism, cultural analysis, and performance theory. At the same time, it is designed to be an accessible;

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After '89

, this study surveys the rebirth of the theatre as a site of public intervention and social criticism since the establishment of democracy and;

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Feminist Futures?

This work is a timely contribution to the debates surrounding feminism, theatre and performance. The excellent, cross-generational mix;

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The Ashgate Research Companion to Thomas Lovell Beddoes

standard in Beddoes criticism. In line with the goals of Ashgate's Research Companion series, the editors and contributors provide an overview;

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New Theatre Quarterly 70

studies need a methodology, and that theatre criticism needs a language. The journal publishes news, analysis and debate within the field;

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