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Gender Meets Genre In Postwar Cinemas

issues dealing with indigenous and global cinemas and argue that contemporary genres have shifted considerably as both notions of gender and;

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Theorizing Art Cinemas

The term art cinema has been applied to many cinematic projects, including the film d'art movement, the postwar avant-gardes, various;

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A Companion to Eastern European Cinemas

A Companion to Eastern European Cinemas showcases twenty-five essays written by established and emerging film scholars that trace the;

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Leisure Play Salsa Meets Electro Dance SALSA MEETS ELECTRO DANCE. D-GENRE, CD

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Gender & The Long Postwar

Gender and the Long Postwar examines gender politics during the post-World War II period and the Cold War in the United States and East and;

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Modernism Beyond the Avant-Garde

modernism to a new postwar landscape. Working across differences of race, gender, national and intellectual tradition, genre and form, Baskin;

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American and Chinese-Language Cinemas

perspective to the subject, focusing as much on the Hollywood influence on early Shanghai or postwar Hong Kong films as on the intensifying flows;

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Contemporary Spanish Cinema and Genre

on the topics under discussion, while providing multiple perspectives on the concepts of national cinemas and genre theory. In recent years;

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Beyond the Subtitle

of nationalism and dragged down by decades of auteurist criticism. Focusing on the cinemas of France and Italy, Betz reveals how the flowering;

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Engendering Genre

analyzes the relationship between gender and genre in Atwood's works. She approaches Atwood's oeuvre by genre - poetry, short fiction, novels;

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Heroines Without Heroes

This anthology, which contains material from scholars of various national cinemas, explores a little-examined period of European film;

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Best-Sellers and Their Film Adaptations in Postwar America

representations of gender identity and conflict dispute and re-imagine the dominant constructions of masculinity and femininity in postwar culture;

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Hollywood Hype and Audiences

--from marketing and critical reception to consumption in cinemas and on video. It draws on economic discursive contexts and original audience;

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The Sitcom Reader

: the sitcom. Through an analysis of formulaic conventions, the contributors address critical identities such as race, gender, and sexuality;

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The Body in Postwar Japanese Fiction

twentieth century Japanese writers, the book analyses the meaning of the body in postwar Japanese discourse, the gender constructions of the imagery;

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The Body in Postwar Japanese Fiction

twentieth century Japanese writers, the book analyses the meaning of the body in postwar Japanese discourse, the gender constructions of the imagery;

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Nordic Film Cultures and Cinemas of Elsewhere

Nordic Film Cultures and Cinemas of Elsewhere introduces a new concept to Nordic film studies as well as to other small national;

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The Ends of Satire

satiric in the postwar era as a set of writing practices: figures of inversion, myth-making, and citation. By showing how writers and theorists;

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The Ends of Satire

satiric in the postwar era as a set of writing practices: figures of inversion, myth-making, and citation. By showing how writers and theorists;

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Gender, Labour, War and Empire

the effect of war on fashion magazine reporting to inter-racial marriage in the postwar years. Particular areas of focus include the Second;

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Postwar Academic Fiction

and sociological nuances inherent in campus life. Drawing upon recent insights in ethical criticism and moral philosophy, Postwar Academic;

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When Sex Became Gender

ideas about the social construction of gender have its origins in the feminist theorists of the postwar period, and that these early ideas about;

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Women and Gender in Postwar Europe

Women and Gender in Postwar Europe charts the experiences of women across Europe from 1945 to the present day. Europe at the end of World;

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Women and Gender in Postwar Europe

Women and Gender in Postwar Europe charts the experiences of women across Europe from 1945 to the present day. Europe at the end of World;

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Cinema after Fascism

Cinema After Fascism considers how postwar European films glance ambivalently backward from the postwar period to the fascist era and;

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Pornography and Seriality

of gender studies. By linking the styles of the genre to processes of serial production, consumption, and discussion, Schaschek questions the;

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Gender, Genre, and the Myth of Human Singularity

Gertrude Stein (Doctor Faustus Lights the Lights) break time-honored gender and genre laws, thus challenging the discourses of power. This;

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