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deeply pessimistic story of the 1848 revolutions. The book was a critical and commercial flop. Flaubert was devastated.;
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Kathryn Mills argues that despite the enduring celebrity of Baudelaire and Flaubert, their significance to modern art has been;
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Kathryn Mills argues that despite the enduring celebrity of Baudelaire and Flaubert, their significance to modern art has been;
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In The Invention of Paris , radical author and publisher Eric Hazan takes the reader on an exciting and historically rich tour through the;
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plans for Paris. Still another compares the ways that formerly dominant white populations relate to urban-industrial ruins in Detroit and to;
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A Comedy in Three Acts set in Paris. By the French author, who, along with Flaubert, is generally regarded as a founding-father of realism;
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. This is the story of the year--1875 to 1876--when the young novelist moved to Paris, drawn by his literary idols living at the center of the;
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. This is the story of the year - 1875 to 1876 - when the young novelist moved to Paris, drawn by his literary idols living at the center of the;
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Tussen Maxime Du Camp en Gustave Flaubert heeft het grootste deel van hun leven een hechte vriendschap bestaan. Du Camp leerde Flaubert;
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When Mort Rosenblum, world-weary foreign correspondent, moved aboard a 54-foot boat moored in the center of Paris, he knew that life would;
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This new critical edition of the Three Tales documents a paradigm shift in Flaubert studies, as it highlights the pivotal role;
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Despite attempts to promote the aesthetics of ruins in Russia-from Catherine the Great's construction of fake ruins in imperial parks to;
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A selection of extracts documenting the friendship between Louis Bouilhet and Gustave Flaubert.;
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, Lyon), 'La Legende des Siecles' (Myriam Roman, Paris), 'Le Rhin' and 'Le Verso de La Page' (Hans P Lund, Copenhagen), Flaubert as a reader;
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The attacks in New York on September 11, 2001, and in Madrid on March 11, 2004, provoked diverse political reactions, but the imminence;
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of large French cities. However, it once referred to a more circumscribed space: the zone non aedificandi (non-building zone) which encircled Paris;
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critical rewriting of religious dogma. Strikingly, already in Flaubert, this rewriting emerges in conjunction with questions of the Orient and;
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Once symbols of the past, ruins have become ubiquitous signs of our future. Americans today encounter ruins in the media on a daily basis;
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In the middle of the eigtheenth century, a new fad found its way into the gardens of England's well-to-do: building fake Gothic ruins;
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In the 1930s, the Italian Fascist regime profoundly changed the landscape of Rome's historic centre, demolishing buildings and displacing;
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movies. Nick Yablon argues that this association between American cities and ruins dates back to a much earlier period in the nation's history;
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Historic and often picturesque ruins have been an integral part of the British landscape for many centuries. They have been an;
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range, from ancient Egyptian inscriptions to twentieth-century memorials, Susan Stewart seeks to answer this question as she traces the appeal;
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geographical range, from ancient Egyptian inscriptions to twentieth-century memorials, Susan Stewart seeks to answer this question as she traces the;
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in Flaubert studies and a medieval philologist, demonstrates that the Legende is not medieval in structure or in spirit, and that its conception;
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The English landscape is steeped in ruins. Markers of the nation's rich and often turbulent history, ruins represent not only the passing;
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