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Forzani), and Sleeping Beauty (Julia Leigh), Female Masochism in Film avoids these reductive and simplistic approaches by focusing on the;
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Sacher-Masoch and contemporary queer films, analysing radical accounts of desire, gender, and sexuality.;
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This is a study of modernism, sexuality, and subjectivity in the work of two leading women modernists. Each confronted the aspects of her;
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of theatricality on theater, film, literature, philosophy, and psychoanalysis. In addition to recently translated work by Cixous and Deleuze, the;
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This book traces the construct of female monsters as an embodiment of sociocultural fears of female sexuality and reproductive power. It;
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of female monsters as an embodiment of socio-cultural fears of female sexuality and reproductive powers. This book examines the female sexual;
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of masochism and its damaging effects.;
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of masochism and its damaging effects.;
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: gender totemism; the oppositional gaze in terms of the black female spectator; the interweaving of feminist frameworks; and the image of women;
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understanding of subjectivity and sexuality which continues to inform discussions of masochism today. In essence, it remains a political concept;
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. One major focus of this study is that, in a great deal of the criticism in both the fields of film theory and queer theory, masochism has been;
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In The Cinematic Body , Steven Shaviro proposes a radical new approach to film viewing. Moving between Jerry Lewis and Andy Warhol;
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that arise over aesthetic styles and the cultural and traditional influences that determine the content and impact of these films. The social;
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First Published in 1997, Crawford attempts to contextualise ideas of female sexuality as signified in academic, popular and in literary;
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First Published in 1997, Crawford attempts to contextualise ideas of female sexuality as signified in academic, popular and in literary;
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aesthetics of existence and as a practice of liberty. Foucault and the Art of Ethics argues that Foucault's exploration of the history of sexuality;
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The female spy has long exerted a strong grip on the popular imagination. With reference to popular fiction, film and television Violent;
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The female spy has long exerted a strong grip on the popular imagination. With reference to popular fiction, film and television Violent;
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narratives, including non-monogamy, anal eroticism, masochism and cross-racial female homoeroticism. Rethinking current assumptions about intimacy;
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narratives, including non-monogamy, anal eroticism, masochism and cross-racial female homoeroticism. Rethinking current assumptions about intimacy;
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ethics and their subject matter - death, catastrophe, sexuality, myth, the female. In her exegesis of these fundamental themes Buci-Glucksmann;
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ethics and their subject matter - death, catastrophe, sexuality, myth, the female. In her exegesis of these fundamental themes Buci-Glucksmann;
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films which present perverse sexuality and corporeal reconfiguration, Cinesexuality encourages a radical shift to spectatorship as itself;
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in literature, music, and film. Bogue examines Deleuze's transverse way of interrelating the ethical and the aesthetic, the transverse way being;
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in literature, music, and film. Bogue examines Deleuze's transverse way of interrelating the ethical and the aesthetic, the transverse way being;
Vergelijkbare producten zoals Deleuze's Way
, Nietzsche, Heidegger, Adorno, Benjamin, Foucault, Goodman, and Wollheim. The second part covers the central concepts and theories of aesthetics;
Vergelijkbare producten zoals The Routledge Companion to Aesthetics
, Nietzsche, Heidegger, Adorno, Benjamin, Foucault, Goodman, and Wollheim. The second part covers the central concepts and theories of aesthetics;
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