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Enemies. The book demonstrates that Mann's films perform critical engagement with existentialism, illustrating the problems and opportunities;
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Drawing on classic films, novels, and plays, the author explores the central ideas of existentialism in a discussion of the philosophies;
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Director and screenwriter Michael Mann is the creative force behind such movies as Last of the Mohicans and Ali. Markedly reticent, Mann's;
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existential themes and writings. Find out how to:* Trace the influence of existentialism* Distinguish each philosopher's specific ideas* Explain what;
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Distinguishing four sources of power in human societies - ideological, economic, military and political - The Sources of Social Power;
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Distinguishing four sources of power in human societies - ideological, economic, military and political - The Sources of Social Power;
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human history. This third volume of Michael Mann's analytical history of social power begins with nineteenth-century global empires and;
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human history. This third volume of Michael Mann's analytical history of social power begins with nineteenth-century global empires and;
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This is the first part of a three-volume work on the nature of power in human societies. In it, Michael Mann identifies the four principal;
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. While not afraid to generalize, it also stresses social and historical complexity. Michael Mann sees human society as 'a patterned mess' and;
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. While not afraid to generalize, it also stresses social and historical complexity. Michael Mann sees human society as 'a patterned mess' and;
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Consciousness and Action Among the Western Working Class is een boek van Michael Mann;
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The Cinema of Michael Mann traces the work of this important Hollywood director through a critical study of his film style and its;
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The Cinema of Michael Mann traces the work of this important Hollywood director through a critical study of his film style and its;
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. The essays explore the different ways in which education can support or constrain social mobility and, in particular, how employer engagement;
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Wives, and Michael Collins, de Beauvoir and Revolutionary Road, and Foucault and One Flew Over the Cuckoo's Nest. Movies with Meaning offers;
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This book approaches literary existentialism (1935-1960) from a philosophical point of view and provides a semantic frame through which the;
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parcel of the society they portray. Increasingly more lay knowledge about social problems and facts stems from cinema as it offers to large;
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parcel of the society they portray. Increasingly more lay knowledge about social problems and facts stems from cinema as it offers to large;
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formal existentialism first arrived in America in the 1930s through discussion of Kierkegaard and the early vogue among New York intellectuals;
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, Beauvoir, and Camus. Cotkin then traces the evolution of existentialism in America: its adoption by Richard Wright and Ralph Ellison to help;
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known German writers and poets, including Hoelderlin, Benn, Mann and Nietzsche. The essays are linked by a consideration of the tension between;
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known German writers and poets, including Hoelderlin, Benn, Mann and Nietzsche. The essays are linked by a consideration of the tension between;
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of mind, race and gender, existentialism, Taoism and mysticism. It includes a chapter that explains some of the technical elements of the films;
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, philosophy of mind, race and gender, existentialism, Taoism and mysticism. It includes a chapter that explains some of the technical elements of the;
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