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primitive and erroneous notions about nature. Eros and Magic in the Renaissance challenges this view, providing an in-depth scholarly explanation;
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For all their pride in seeing this world clearly, the thinkers and artists of the English Renaissance were also fascinated by magic and the;
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Magic, Gary Tomlinson describes some of these connections and offers a fresh view of the development of early modern thought in Italy. Raising;
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Astrology and Magic from the Medieval Latin and Islamic World to Renaissance Europe brings together ten of Paola Zambelli's papers on the;
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Angel Magic is a set of ritual practices tha t is believed to control angels, daimons, fayries and genies . This book traces Angel Magic;
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, explains the history and practice of the magic of the fixed stars, signs and constellations. Included are original images by the contemporary;
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expression of Renaissance culture in Britain. Hart examines the influence of magic on Renaissance art and how in its role as an element of royal;
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The Poverty of Eros in Plato's Symposium offers an innovative new approach towards Eros and the concept of Eros in the Symposium. Lorelle D;
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on campus, stunning the school, terrifying students, and mystifying the FBI. The case remains unsolved. In this book, Ted Anton pieces;
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in magic or at least knew about it. In the 16th and 17th century many writers, like Shakespeare and Marlowe, adopted the figure of the white or;
Vergelijkbare producten zoals The magician Prospero in Shakespeare's The Tempest. A true Renaissance magus?
The Picatrix is the most famous grimoire of astrological magic and one of the most important works of medieval and Renaissance magic. With;
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The present volume arose from a colloquium on magic and divination intended to apply the study of the history of the classical tradition to;
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Eros Revisited rethinks the desire for the other through philosophical, poetical, and psychological inquiry. Dr. Isaac B. Rosler draws from;
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The Picatrix is the most famous grimoire of astrological magic and one of the most important works of medieval and Renaissance magic. With;
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examining the transformations of two Homeric episodes, Odysseus' encounter with Nausikaa and the night-raid of Odysseus and Diomedes. Asserting that;
Vergelijkbare producten zoals Eros, Imitation and the Epic Tradition
address the patterned behavior of couples in The Taming of the Shrew, characters representing eros in Love's Labors Lost, and Shakespeare's;
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, looks at the incidence of atheism, magic and homosexuality in his plays and poetry, and traces his engagement with other lands and cultures.;
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envision a perceived good, and to participate in a community of inquirers, are social dispositions enabled by the emotional faculties of eros;
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intellectual terrain ranging from the Renaissance magic, through eighteenth-century medicine and nineteenth-century psychology, to the propaganda and;
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Manifestos, Freemasonry and 19th century Magical Fraternities, up to the modern era. Knight considers magic as a middle ground between science and;
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Arising out of a conference on Eros in Ancient Greece', the articles in this volume share a historicizing approach to the conventions and;
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This fascinating work explores John Dee's Enochian magic and the history of its reception. Dee (15271608/9), an accomplished natural;
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is Anne Carson's exploration of the concept of eros in both classical philosophy and literature. Beginning with, It was Sappho who first called;
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Eros Turannos analyzes the debates between Leo Strauss and Alexandre Kojeve. Their debates are contextualized through the Platonic notion;
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discourses about sexuality, law, magic, masculinity, and honor. In his life and literary oeuvre, the notorious artist, rogue, and sodomite aligned;
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