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English drama of the restoration and eighteenth century (1642-1780)

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Restoration and Eighteenth-century Poetry 1660-1780

Restoration and Eighteenth-Century Poetry 1660-1780, originally published in 1981, considers poetry written between 1660 and 1780, a period;

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The Cambridge History of English Literature, 1660-1780

Restoration to the end of the eighteenth century. In essays by thirty distinguished scholars, recent historical perspectives and new critical;

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Cambridge History Of English Literature, 1660-1780

Restoration to the end of the eighteenth century. In essays by thirty distinguished scholars, recent historical perspectives and new critical;

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The Routledge Anthology of Restoration and Eighteenth-Century Drama

The Routledge Anthology of Restoration and Eighteenth-Century Drama brings together the work of key playwrights from 1660 to 1800, divided;

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The Routledge Anthology of Restoration and Eighteenth-Century Drama

The Routledge Anthology of Restoration and Eighteenth-Century Drama brings together the work of key playwrights from 1660 to 1800, divided;

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Empire on the English Stage 1660-1714

Contesting the argument that Restoration and early eighteenth-century drama referred almost exclusively to domestic social and political;

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Empire on the English Stage 1660 1714

Contesting the argument that Restoration and early eighteenth-century drama referred almost exclusively to domestic social and political;

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Staging the Revolution

theatrical production in England until the playhouses were reopened in 1660 is a product of post-Restoration re-writing of the English civil wars and;

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Staging the Revolution

theatrical production in England until the playhouses were reopened in 1660 is a product of post-Restoration re-writing of the English civil wars and;

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The Broadview Anthology of Restoration and Early Eighteenth-Century Drama

The Broadview Anthology of Restoration and Early Eighteenth-Century Drama, Concise Edition, with twenty-one plays, is half the length;

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Scenes from Eighteenth Century Comedies

written in the eighteenth century. Barter provides a brief introduction on the history of British theatre and developments in comedy after the;

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The Devil and the Sacred in English Drama, 1350-1642

profoundly shaped from the outset by the assumptions of sacred drama and retained this shape virtually unchanged until the advent of permanent;

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The Devil and the Sacred in English Drama, 1350-1642

profoundly shaped from the outset by the assumptions of sacred drama and retained this shape virtually unchanged until the advent of permanent;

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Aphra Behn Studies

resource for those studying seventeenth century English literature and drama, and for those interested in the development of women's writing.;

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British Dramatists from Dryden to Sheridan

Representative selections from Restoration and eighteenth-century drama, comedy, satire, tragedy, and farce are prefaced by descriptions;

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A biographical chronicle of the English drama, 1559-1642

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A biographical chronicle of the English drama, 1559-1642

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A Companion to Restoration Drama

situates the drama in its theatrical and social contexts and examines changing responses to Restoration drama from the eighteenth century to date;

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A biographical chronicle of the English drama, 1559-1642 (Volume II)

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A biographical chronicle of the English drama, 1559-1642 (Volume I)

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Herefordshire / Worcestershire

The Records of Early English Drama volumes make available historical transcripts that provide evidence of early English drama, music;

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Cumberland / Westmoreland / Gloucestershire

The Records of Early English Drama volumes make available historical transcripts that provide evidence of early English drama, music;

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Norwich 1540-1642 - Records of Early English Drama

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Norwich 1540-1642 - Records of Early English Drama

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Taste For China

in the field of eighteenth-century writing that examines English identity and nationalism in the context of trade, commodity culture, and the;

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Paratexts In English Printed Drama To 1642 2 Volume Set

materials in early modern English playbooks, from the emergence of print drama to the closure of the theatres in 1642. The texts have been;

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