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Engaging Audiences

Engaging Audiences asks what cognitive science can teach scholars of theatre studies about spectator response in the theatre. Bruce;

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Invisible Ink

Brian McDonald. Readers learn techniques for building a compelling story around a theme, engaging audiences with writing, creating appealing;

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The Producers Guide to Transmedia

on Nuno Bernardo's ten years experience of Transmedia storytelling and production for global audiences. This guide analyses how multiplatform;

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Prophets as Performers

nature of the prophets as embodied spokespersons for YHWH aids us in understanding and clarifying YHWH's message to audiences, situations, and;

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Gospel Magic for Preachers

present the Good News of Jesus Christ. The author has used these skills to speak to audiences in prisons, schools, shopping malls and many;

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Reaching and Responding to the Audience

Museums exist to serve their audiences; however, the scope of this charge is constantly being challenged and changed. This book looks at;

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Communicating the History of Medicine

in policy or research assessment, instead offering a more nuanced picture of both the promises and pitfalls of engaging audiences for research;

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Facing the Public

engaging narrative-comic style, familiar to audiences at her superb readings: my mother never asked like a normal person, it was I'm asking you for;

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Contemporary Topics 3

lecture settings, featuring engaging instructors and live student audiences.;

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Contemporary Topics 2

lecture settings, featuring engaging instructors and live student audiences.;

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Romanticism, Lyricism, and History

Wordsworth, and John Clare recognized and employed the mode's immense capacity for engaging reading audiences in reflections both personal and social;

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Engaging Native American Publics

Engaging Native American Publics considers the increasing influence of Indigenous groups as key audiences, collaborators, and authors with;

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Engaging Native American Publics

Engaging Native American Publics considers the increasing influence of Indigenous groups as key audiences, collaborators, and authors with;

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Greek Tragedy

understanding why tragedy continues to interest modern audiences. * An engaging introduction to Greek tragedy, its history, and its reception in the;

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Greek Tragedy

understanding why tragedy continues to interest modern audiences. An engaging introduction to Greek tragedy, its history, and its reception in the;

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Television Studies

: broadcasting history and technology institutions and ownership genre and content audiences Complete with global case studies;

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Television Studies

: broadcasting history and technology institutions and ownership genre and content audiences Complete with global case studies;

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Shakespeare by Stages

of playgoing. * Covers venues, audiences, actors, society, government and regulation. * Each topic is considered in relation to a selection;

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Engaging News Media

news media and their audiences today, attempting to examine whether or not truth could be found there, and if so, how people of faith and;

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Style

that audiences-both in college and after-will admire. The principles offered here help writers understand what readers expect and encourage;

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Imagined Audiences

journalists to improve their relationship with their audiences. This raises important questions: How do journalists conceptualize their audiences;

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Theatre of Exile

suburban areas, prisons and mental hospitals, as well as open, public spaces, engaging directly with audiences in a spirit of abiding;

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Theatre of Exile

suburban areas, prisons and mental hospitals, as well as open, public spaces, engaging directly with audiences in a spirit of abiding;

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Shakespeare's Two Playhouses

of their different acoustic and visual experiences on actors and audiences? What did the labels 'public' for the Globe and 'private' for the;

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Shakespeare's Two Playhouses

of their different acoustic and visual experiences on actors and audiences? What did the labels 'public' for the Globe and 'private' for the;

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The Invisible Grail

emerging brands, in engaging their audiences and connecting with customers using words is examined by looking at the powerful verbal identity;

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Nativity Dramas

and has a running time of 30 minutes. The other three pieces are designed for general audiences and have a running time of 45 minutes each.;

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