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Elizabethan Popular Theatre

Elizabethan Popular Theatre surveys the Golden Age of English popular theatre: the 1590s, the age of Marlowe and the young Shakespeare. The;

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The Elizabethan World

and economic history, and crossing several disciplines, The Elizabethan World depicts a time of transformation, and a world order;

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The Elizabethan World

and economic history, and crossing several disciplines, The Elizabethan World depicts a time of transformation, and a world order;

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The Elizabethan Theatre V

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The Boar's Head Theatre

The Boar's Head Theatre, first published in 1972, provides an account of one of the Elizabethan inn-yard theatres. It is a reconstruction;

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The Purpose of Playing

Part of a larger project to examine the Elizabethan politics of representation, this work refigures the social and cultural context within;

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The Children of Paul's

such this book represents the most detailed description to date of the workings of an Elizabethan commercial theatre. This book provides a;

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From Text to Performance in the Elizabethan Theatre

David Bradley sets out to discover how Elizabethan theatre companies prepared plays for performance: how playwrights understood the;

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Theatre and Humanism

- particularly the theory that Elizabethan plays are best seen in the tradition of morality drama - need to be reconsidered. He proposes instead that;

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Theatre and Humanism

- particularly the theory that Elizabethan plays are best seen in the tradition of morality drama - need to be reconsidered. He proposes instead that;

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Popular Theatre In Political Culture

The first comparative study on the history and practice of popular theatre in Britain and overseas. The fragmentation of social groups;

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The Merry Wives of Windsor

From the Royal Shakespeare Company - a modern, definitive edition of Shakespeare's enduringly popular comedy. With an expert introduction;

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Elizabethan Drama

Boisterous and unrestrained like the age itself, the Elizabethan theatre has long defended its place at the apex of English dramatic;

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Three Elizabethan Fantasies of Eastern Conquest

three convey the public theatre's fascination with travel and adventure through the popular genre of heroic romance, while reflecting the;

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Shakespeare's Women

In this book, David Mann examines the influence of the Elizabethan cross-dressed tradition on the performance and conception;

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Shakespeare's Women

In this book, David Mann examines the influence of the Elizabethan cross-dressed tradition on the performance and conception;

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Tamburlaine the Great

Expanded footnotes designed to help readers from all levels of familiarity with Elizabethan drama. Emphasis on the play as a theatre text;

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The Theatre in the Middle Ages

Popular and scholarly works on the Elizabethan stage have long familiarised readers and playgoers with the main features of a typical;

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Essential Shakespeare Handbook

portrait of the Bard's life and the world of Elizabethan and Jacobean theatre. Enrich your experience of the Bard's work on the page, stage, and;

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Shakespeare and Popular Voice

In Shakespeare and the Popular Voice Annabel Patterson challenges as counter--intuitive the common opinion that Shakespeare was anti;

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The Malcontent

The Malcontent is considered one of the most original and complex plays of the Elizabethan theatre. The aim of this edition is to offer;

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The Little French Lawyer (Dodo Press)

. Fletcher is considered an important transitional figure between the Elizabethan popular tradition and the popular drama of the Restoration. He;

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Exploring Russia in the Elizabethan Commonwealth

Russia in 1588, this work explores two popular themes in Elizabethan history: exploration, travel and trade and late Elizabethan political;

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Author's Pen and Actor's Voice

. Through close reading and careful analysis Weimann offers a reconsideration and redefinition of Elizabethan performance and production practices;

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Jacobean Public Theatre

London. It relates this drama to the popular culutre of the day and concludes with a close study of four important plays, including King Lear;

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Jacobean Public Theatre

London. It relates this drama to the popular culutre of the day and concludes with a close study of four important plays, including King Lear;

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Shakespeare in the Theatre

actor-manager Frank Benson. In the 1890s he founded the Elizabethan Stage Society in order to demonstrate his fervent belief that only a return;

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