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Eisenstein on the Audiovisual: The Montage of Music, Image and Sound in Cinema

Best Moving Image Book of 2009, Eisenstein on the Audiovisual is essential reading for students and practitioners of the audiovisual in cinema;

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The Cinema of Eisenstein

The Cinema of Eisenstein is David Bordwell's comprehensive analysis of the films of Sergei Eisenstein, arguably the key figure in the;

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The Cinema of Eisenstein

The Cinema of Eisenstein is David Bordwell's comprehensive analysis of the films of Sergei Eisenstein, arguably the key figure in the;

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Sound and Image

, applying critical perspectives to interrogate and evaluate both the aesthetics and practices that underpin the audiovisual. Contributions draw;

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Cinesonica

Cinesonica: sounding film and video explores previously neglected and under-theorised aspects of film and video sound, drawing on detailed;

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How the Essay Film Thinks

of resistance, and capitalizing on the centrality of the interstice in Gilles Deleuze's understanding of the cinema as image of thought, the book;

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The Cinema Effect

," focusing on the contributions of French cinematic pioneers in the late nineteenth and early twentieth centuries. He then examines the sound cinema;

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Eisenstein At 100

filmmaker Sergei Eisenstein has become the subject of renewed interest. A decade after the fall of the Soviet Union, and with fresh material on his;

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Oxford Handbook of Sound and Image in Digital Media

The Oxford Handbook of Sound and Image in Digital Media surveys the contemporary landscape of audiovisual media. Contributors to the volume;

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Unsayable Music

reflections on key topics of contemporary music including acoustic, electroacoustic and digital music, and audiovisual and multimedia composition. Six;

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Jean Epstein

book restores him to the limelight of interwar world cinema, on a par with Renoir, Lang, Capra and Eisenstein. -- .;

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Montage

Montage is een boek van Eisenstein;

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Audiovisual Media and Music Culture

, they affect musical behavior, music taste and aesthetic ideals of the society. The power of film, television and other media is based on the;

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The Silent Cinema Reader

The Silent Cinema Reader is a comprehensive resource of key writings on early cinema, addressing filmmaking practice, film form, style and;

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And The Mirror Cracked

And The Mirror Cracked explores the politics and pleasures of contemporary feminist cinema. Tracing the highly productive ways in which;

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Lectoraat HKU 20 - The Sound Track

The book The Sound Track by Rens Machielse deals with the power of the soundtrack and focuses on its design for a feature film, commercial;

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Audiovisual Translation

cinema, the Internet and the stage and the problems the differences between cultures can cause.;

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Cinema And Colour

of critical approaches to filmic colour, building on the work of such theorists as Sergei Eisenstein, Rudolf Arnheim and Stanley Cavell. Coates also;

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Lowering the Boom

As the first collection of new work on sound and cinema in over a decade, Lowering the Boom addresses the expanding field;

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Cinema I

and for his master-works, Difference and Repetition and - with Felix Guattari - A Thousand Plateaus and Anti-Oedipus. Cinema I is the first;

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The Dolby Era

Present Danger, The Fast and the Furious, XXX) this book aims at providing a substantial account of sound in contemporary Hollywood cinema since;

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In The Dark Room

perspective including film and literary theory, psychoanalytic analysis, music theory, gender studies, and post-colonial criticism. The book opens;

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Introduction to Film Studies

discussion of the contemporary film industry and technological changes new chapters on Film and Technology and Latin American Cinema;

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Introduction to Film Studies

discussion of the contemporary film industry and technological changes new chapters on Film and Technology and Latin American Cinema;

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Memory, Space and Sound

Memory, Space and Sound presents a collection of essays from scholars in a range of disciplines that together explore the social, spatial;

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Cambridge Film Classics

The Films of Jean-Luc Godard examines the work of one of the most versatile and influential filmmakers in the history of cinema. With a;

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The Economics of the Audiovisual Industry Financing TV Film and Web

suggests that rather than relying on subsidized public support, the audiovisual industry should foster private-public partnerships and market;

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