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Dramatic Disgust - Aesthetic Theory and Practice from Sophocles to Sarah Kane

in drama. The book sets out in antiquity and traces the history of dramatic disgust through Kant, Freud, and Kristeva to Sarah Kane's in-yer-face;

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Shakespeare for Snowflakes - On Slapstick and Sympathy

Drawing on plays by Shakespeare, Sarah Kane, Sophocles, Samuel Beckett, and others, this book examines the ways in which these dramatists;

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Sublime Drama

shocking and provocative work of emerging playwrights such as Mark Ravenhill or Sarah Kane. Taking a cue from Sierz's own suggestion that what;

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Tragedy and Dramatic Theatre

performance scholarship. It is a major milestone in our understanding of this core foundation of the dramatic arts. From the philosophical roots and;

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Tragedy and Dramatic Theatre

performance scholarship. It is a major milestone in our understanding of this core foundation of the dramatic arts. From the philosophical roots and;

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Sarah Kane in Context

From the controversy in 1995 that heralded Blasted, to her death in February 1999, Sarah Kane built a reputation as an established;

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Tori Amos's Boys for Pele

Gentry argues that these violent aesthetic responses to Amos's performance, both positive and negative, are organized around disgust-the disgust;

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Cambridge Studies in Modern Theatre

' of angry young men. Working through a generational mix of writers, from Sarah Kane, the iconoclastic 'bad girl' of the stage, to the 'canonical;

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Antigone and other Tragedies

Sophocles stands as one of the greatest dramatists of all time, and one of the most influential on artists and thinkers over the centuries;

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A Study of Sophoclean Drama

, Kirkwood demonstrates the existence of several deliberate and distinct types of dramatic construction. Sophocles' use of the chorus, his irony, and;

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History Of Modern Drama Vol Ii

A History of Modern Drama: Volume II explores a remarkable breadth of topics and analytical approaches to the dramatic works, authors, and;

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About Kane

survey includes a concise biography, in-depth analysis of Sarah Kane's work, and interviews with Kane and those who helped to put her work on;

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The Meaning of Disgust

things? Colin McGinn sets out to analyze the content of disgust, arguing that life and death are implicit in its meaning. Disgust is a kind;

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Print and the Poetics of Modern Drama

field of Shakespeare editing - Worthen then looks at the ways playwrights and performance artists from George Bernard Shaw and Gertrude Stein to;

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Print and the Poetics of Modern Drama

field of Shakespeare editing - Worthen then looks at the ways playwrights and performance artists from George Bernard Shaw and Gertrude Stein to;

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Sarah Kane's 4.48 Psychosis

Everything passes/Everything perishes/Everything palls - 4.48 Psychosis How on earth do you award aesthetic points to a 75-minute;

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Sarah Kane's 4.48 Psychosis

Everything passes/Everything perishes/Everything palls - 4.48 Psychosis How on earth do you award aesthetic points to a 75-minute;

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Kane Complete Plays

When Blasted was first produced at the Royal Court in 1995 it was hailed jointly as a masterpiece and a 'disgusting piece of filth' (Daily;

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Sophocles

character depicted to the social and political controversies of the period in which Sophocles was writing. The introduction describes the background;

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Emerging Aesthetic Imaginaries

book takes a multidisciplinary approach to aesthetic imaginaries, which tests the conceptual potential from an array of perspectives and;

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Crave

Set in an unnamed city from which voices and images spring, Crave charts the disintegration of a human mind under the pressures of love;

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Representing Repulsion

, Sibylle Berg, Jenny Erpenbeck, Monika Maron and Charlotte Roche - in terms of an aesthetics of disgust and asks to what extent disgust can be seen;

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Curriculum and the Aesthetic Life

and the theory and practice of Arts-Based Education Research, including his noted Hogan Dreams. He brings to his work an aesthetic sensibility;

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Curriculum and the Aesthetic Life

and the theory and practice of Arts-Based Education Research, including his noted Hogan Dreams. He brings to his work an aesthetic sensibility;

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Grammalepsy

of this theory, Cayley eschews the tendency of literary critics and writers to reduce aesthetic linguistic making-even when it has multimedia;

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