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Death and Garden Narratives in Literature, Art and Film: Song of Death in Paradise explores the combination of two motifs, death and;
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, photography, film and music on the subject of Death and Philosophy , The Body of Death , and Death and Testimony .;
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, paintings, film, television, and other genres. Edelman believes art provides us with models, scenarios, narratives, and images we draw upon in order;
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literature and film often frame narratives with specific geographic locations, which saturate the narrative with cultural meanings in relation to;
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literature and film often frame narratives with specific geographic locations, which saturate the narrative with cultural meanings in relation to;
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. First-person narratives provide a personal look at death and associated feelings of guilt, shock, and grief; and other chapters consider shame;
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. First-person narratives provide a personal look at death and associated feelings of guilt, shock, and grief; and other chapters consider shame;
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. Verstraten makes film narratives his primary focus, while noting the unexplored and essentially different narrative effects that film can produce;
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narratives to inform and inspire ideas about this major role in life. Alongside analysis of narratives drawn from literature and film, the author;
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anything from acoustic poetry and oral performance to verbal-visual constellations in print and on screen, cinematic narratives, or electronic;
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anything from acoustic poetry and oral performance to verbal-visual constellations in print and on screen, cinematic narratives, or electronic;
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adaptive function of the arts, discussions of evolutionary literary theory and film theory, interpretive commentaries on specific works;
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adaptive function of the arts, discussions of evolutionary literary theory and film theory, interpretive commentaries on specific works;
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, art history and the psychology of religion.;
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This book undertakes a study of the trope of possessed child in literature and film. It argues that the possessed child is fundamentally an;
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In the fall of 1957 the University of California Press expanded Arnheim's 1933 book Film by four essays and brought that landmark work back;
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of American deserts in fiction, film, and literary art. The authors, as well, trace the social, cultural, economic, and biotic narratives that;
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literature, the visual arts, and film, but beyond this are a unique art form possessing qualities these other mediums do not. Drawing from a range;
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literature, the visual arts, and film, but beyond this are a unique art form possessing qualities these other mediums do not. Drawing from a range;
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Lucy Bregman guides the reader through the wealth of recent literature on death and dying, giving special attention to the autobiographical;
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theory, narrative, poetry, film, and performance art and activism to one another. Working specifically with art, film, and literature from;
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theory, narrative, poetry, film, and performance art and activism to one another. Working specifically with art, film, and literature from;
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Europe, supported by theoretical perspectives. It examines narratives and poetics of economy in literature, film, and art, as well as in public;
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The Gothic and death offers the first ever published study devoted to the subject of the Gothic and death across the centuries. It;
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Performing the Pied-Noir Family: Constructing Narratives of Settler Memory and Identity in Literature and On-Screen sheds new light on the;
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Performing the Pied-Noir Family: Constructing Narratives of Settler Memory and Identity in Literature and On-Screen sheds new light on the;
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First published in 1982, The Sociology of Art considers all forms of the arts, whether visual arts, literature, film, theatre or music from;
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