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Culture and Identity in African and Caribbean Theatre

African and Caribbean playwrights. Slavery and colonialism had involved systematic acts of cultural denigration, de-humanization and loss;

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The Cambridge Guide to African and Caribbean Theatre

The Cambridge Guide to African and Caribbean Theatre is an exploration of the rich diversity of theatrical traditions in sub-Saharan Africa;

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The indispensability of former West African people to the Caribbean culture: Interpretation of two of Brathwaite's poems in The Arrivants

from the slave experience in the Caribbean colonies to Africa and back again to the islands, and thereby explore the African roots as well as;

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Rethinking Marriage in Francophone African and Caribbean Literatures

Francophone African and Caribbean women in their respective societies. It argues that marriage serves as a catalyst for intense identity formation;

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Rethinking Marriage in Francophone African and Caribbean Literatures

Francophone African and Caribbean women in their respective societies. It argues that marriage serves as a catalyst for intense identity formation;

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Caribbean Dynamics

Caribbean cultural identity is dynamic and complex but also continuously in flux. In the 21st century, the Caribbean is both a site;

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Creole Identity In The French Caribbean Novel

role of narrative in fashioning the cultural and political doubleness of Caribbean Creole identity, Murdoch shows how these authors actively;

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Faith, Stories and the Experience of Black Elders

Working through oral traditions, this book illustrates the importance of spirituality and the family in African-Caribbean culture. The;

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Caribbean Cultural Identity

Caribbean Cultural Identity: An Essay in Cultural Dynamics is a reaffirmation of the validity of that persistent quest by the Jamaican and;

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Slavery in Africa and the Caribbean: A History of Enslavement and Identity Since the Eighteenth Century

students and scholars who are interested in slavery, gender, identity, religion, colonialism and the African diaspora.;

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The Ground on Which I Stand

Fierce and passionate, The Ground on Which I Stand is August Wilsons eloquent and personal call for African American artists to seize;

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Sounding Off

A look at how West African and Caribbean Francophone writers use rhythm, music, and sound to create and negotiate identity;

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Slavery in Africa and the Caribbean

students and scholars who are interested in slavery, gender, identity, religion, colonialism and the African diaspora.;

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Central Africa in the Caribbean

and transformation of cultural forms in the Caribbean against a larger background of African culture, economy, colonialism, slavery;

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Afro-Creole

characterizes the emergence of Caribbean identity with three different national flavors and demonstrates how culture both reflects and impacts people's;

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Readings in African American Culture

Readings in African American Culture: Resistance, Liberation, and Identity from the 1600s to the 21st Century helps readers understand and;

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Readings of the Particular

in life, in an age of global levelling and the struggle for a particular place in a postcolonial world. Topics covered include: North African;

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Constructing Black Selves

Caribbean identity has been transformed by mass migration to urban landscapes, as well as the dynamic and sometimes conflicted relationship between;

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Rewriting the African Diaspora in Latin America and the Caribbean

This volume considers the African Diaspora through the underexplored Afro-Latino experience in the Caribbean and South America. Utilizing;

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Ashe-Caribbean Literary Aesthetic in the Cuban, Colombian, Costa Rican, and Panamanian Novel of Resistance

Ashe-Caribbean Literary Aesthetics in the Cuban, Colombian, Costa Rican, and Panamanian Novel of Resistance contributes to understanding;

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Cuban Identity and the Angolan Experience

national identity from Latin African to Caribbean through the experience of internationalism in Angola.;

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Global Culture, Island Identity

the way in which the West Indian Community of Nevis, has, since the 1600s, incorporated both African and European cultural elements into the;

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World Encyclopedia of Contemporary Theatre

introductory general essays on African theatre written by Nobel Prize Laureate Wole Soyinka and the outstanding Congolese playwright, Sony Labou Tansi;

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Rewriting the Return to Africa

Schwarz-Bart and Myriam Warner Vieyra emerged with a new vision of the notion of origins and identity and in the process revised the myth of the;

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Birth of Caribbean Civilization

For more than a century Caribbean intellectuals have created a substantial body of work expressing their ideas about culture, identity and;

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Culture in Regional Geography Education

exists in plurality and accent within any context of place. Concepts of Caribbean culture and identity in social science and the humanities are;

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Theatre and Cultural Struggle under Apartheid

In this book, South African performer and activist Robert Mshengu Kavanagh reveals the complex and conflicting interplay of class, nation;

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